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Thread: Does anyone use a pre amp pedal

  1. #1

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    Pre amp pedals and DI boxes

    Just curious because if anyone uses a Pre amp pedal. It seems redundant to me if your playing any EBMM bass but wondering if anyone use a pre amp pedal instead of utilizing the onboard pre amp? With my passive basses I've been using a 2 Notes Le Bass pre amp pedal, with a balanced XLR out, single tube operated. It also has a speaker switch that gives the impression of playing through a bass cabinet. Without the switch activated, the PA without sub woofers does the bass tone a serious injustice. I've tried to use this pedal with my Stingrays but it colors the tone even when all the eq's are set flat so I'm looking at just a straight forward DI box for my Stingrays. I'm thinking of getting a Radial JDI passive box as it seems to be the preferred DI and the reviews look really promising. Any thoughts or advice would be appreciated.

    Btw, if you are in the market for a cool pre amp pedal for other basses you might own check out the Le Bass pedal. It is a great single tube pre amp pedal and I highly recommend it if you are playing anything passive.
    Last edited by Joeglow; 05-27-2018 at 05:39 PM.

  2. #2

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    You will find that many people who gig will use a preamp pedal, mainly so that they can have a direct out and still have some level of tone control. If you run a Direct OUt from the amp, most sound guys prefer, rightly, that it be before the EQ and controls of the amp. That means if you've got a great bass amp, the sound really won't come across through the PA.

    A preamp pedal gives you that much extra level of control, and also there are things it can do that simply aren't built into the bass.
    2007 Stingray 5 HS Cherry Burst / Maple fretboard / 3 Band EQ / Ceramic Pickups
    2012 Stingray 5 H Pearl Blue / Rosewood Fretboard/ 3 Band EQ/ AlNiCo Pickup
    2012 Steve Morse Signature Morse Blueburst / Rosewood FB
    2012 Luke III SSH Vintage Sunburst / Rosewood Neck

  3. #3

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  4. #4

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    I've never been happy with the sound from my GK MB500 into the PA. I DI it pre-EQ so that I can make changes on the amp to suit the stage without it affecting what goes out front.

    Sounds great through my cab onstage but rubbish through the PA so I've just bought a Sansamp BDDI v2.

    Once I'm happy with the sound I plan to run it straight into the input of my amp so that I can still control what comes through my cab to compensate for boomy stages etc
    2016 EBMM Sterling 4H with Hipshot Double Stop & HB6 Ultralites

    1998 EBMM Stingray 4H with Hipshot Double Stop & HB6 Ultralites

    Gallien Krueger MB500

    Barefaced One10

  5. #5

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    I’ve used a preamp for years, before it was common. I currently use a sansamp, in conjunction with the active sterling I play. Helps my small practice rumble 60, and boosts my ampeg stage stack, without clipping, love it!

  6. #6

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    I had all the Sansamp stuff in the late 90s, early 2000s but the Bongo sort of made all of that unnecessary.

    I do have one of those Vox Stomplabs. I've been using it to record instead of a DI and it sometimes really does the trick.

  7. #7

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    GK Plex - just gives me a little more FoH control (work great with the Bongo)
    - Ritch
    Bongo 4H - Limited Fritz the Kat Lime Green - Kermit
    Bongo 4H - Dargie Delight
    Bongo 4HH - Sky Blue
    Sterling 4H - Trans Purple


    GK and MarkBass stuff

  8. #8

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    Quote Originally Posted by oddjob View Post
    GK Plex - just gives me a little more FoH control (work great with the Bongo)
    I have one of these coming from GK pretty soon. I will have it paired with my GK Fusion MB 800 class D head and GK NEO 410 cab. Lately Iíve been playing my K B custom shop P bass. It is purely passive with the Nordstrand Audio NP4a P style pickup. I love the tones and versatility of Nordstrandís. Iíve also been playing my K B custom shop T-Hawk bass. It is an active/passive bass with 2, Nordstrand Audio dual coil pickups. The pre amp in it is set up slightly different than the Ernie Ball/Music Man pre amps in my Stingrays and Bongos

    At church, we have everything dialed in for whatever bass I bring and play but if I do any studio work or if I go to Denver and sometimes sit in with friendsí bands for a few songs or sub for them if their bass player is out, then I like to have as much flexibility and versatility as possible because each studio and venue is different. But, in saying that, Music Man basses are pretty versatile in and of themselves and are completely capable just going direct of the eq that comes in them.
    Last edited by JayDawg; 06-01-2018 at 08:50 PM.

  9. #9

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    `


    I'll use either a MarkBass or a Hartke
    wherever I'm able to plug into a house
    system. In such cases I don't bring any
    amp at all. I can hear the house system
    quite well due to the unusual nature of
    our ensemble: duo or trio, no drummer.

    I never bring it to be used as an effects
    device between ax and amp, unless the
    "effect" I need is to buffer a "raw" piezo
    [such as an URB or a bass uke].
    S.U.B. SL4 - SR4p FL [x2] - SR4HH FL [Moses neck]
    SL4p FL [x2] - SL4HS FL - SL4HS FL [Moses neck]
    SR5HS alnico - SR5p FL ceramic [x2] - Bongo4Hp FL

    "Too many basses is never enuf"

    Golem is NOT engaged in social networks.

  10. #10

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    I use the latest incarnation of the Tech21 Bass Driver DI to accomplish, in terms of EQ, what my Stingray (2.5 years old) can not do on its own with its on-board preamp. Blend at zero, Drive at zero; I use it only for its EQ capabilities.

  11. #11

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    Darkglass B7K Ultra or Alpha Omega
    TERAMAZE
    https://www.facebook.com/teramaze/
    METANOIA
    https://www.facebook.com/wearemetanoiaband/

    Stealth Black Bongo 6 HH - 22/03/2011
    Stealth Pearl Bongo 6 HH - 14/04/2015
    Firemist Purple Bongo 6 HH - 06/07/2017

  12. #12

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    Just got in an Aguilar Tonehammer preamp/DI from Sweetwater. Haven't had a chance to wring it out yet, but initial impressions are positive. SR HS model, switch position 1 (both bridge coils), treble full CCW, mids about 20% up from full CCW, bass full CCW. Then I use the TH to beef that up: treble full CCW, mid frequency full CCW (about 180 Hz), mid level around 12:30, bass around 1:00, gain around 8:00, level around 9:00. Since I use the SR's volume for swells in a couple of songs, I need to be able to dime it for repeatability. But I want to try higher TH gain settings for a steeper LF cutoff (poor man's subsonic filter) without driving the AGS into grind territory [1]. So, I'm going to put a potentiometer between the SR's output jack and the TH's input, so I can knock back the SR's output a bit. Basically I'm going for a clean but vintage sound, while avoiding the phasing anomalies associated with using two pickups. I'd use the neck pickup alone, except it sounds a little too much like those original single-coil Precisions -- sort of hollow and "dubby."

    I'll come back if I discover anything earthshaking.

    [1] Tonehammer tone controls and the gain/AGS circuit are, shall we say, nontrivial in terms of full understanding. Gain structure is crucial to getting the most out of these things.

  13. #13

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    I use an MXR M81 Bass Preamp after my MXR M87 Bass Compressor...and run it all straight into the effects loop of my amp. I use it mainly as a boost to compensate for signal loss through my pedal chain. :-)

  14. #14

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    Quote Originally Posted by JayDawg View Post
    I have one of these coming from GK pretty soon. I will have it paired with my GK Fusion MB 800 class D head and GK NEO 410 cab.
    No offence, but that does sound quite redundant. I mean, you have the GK tone in your amp and plan to put some more of GK tone in?

    BTT: I am right now mainly playing through a Boss GT10B into my inear and the pleasureboard. Thinking of selling that (i still have another GT100 for the band I play guitar in), and getting a Mesa Sub(way?) preamp instead ... can anyone of you comment on that preamp?
    BASSS 4
    Classic Sabre
    White Reflex 4 HH

  15. #15

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    I've used a Eden WTDI World Tour Direct Box and Bass Preamp.

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