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flats and thickness

This is a discussion on flats and thickness within the Ernie Ball Strings forums, part of the Gear Talk category; I've had a Sterling for a couple of months now; replaced the original SuperSlinky's right away with flatwounds because I ...

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    greitzer is offline Registered User Newbie
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    flats and thickness

    I've had a Sterling for a couple of months now; replaced the original SuperSlinky's right away with flatwounds because I play mostly jazz and the SuperSlinky's had much too much finger-sliding noise.

    I notice I get a lot of "clacking" noise of string hitting fret, almost as loud as the notes I'm playing. I am wondering if it's because of the particular flatwound strings I put on -- they are D'Addario XL Chromes, medium gauge, that are 50-70-85-105 (long scale).

    I tried adjusting the truss rod for higher action and it helped a bit, but not a whole lot, before it just got too high for comfortable playing.

    If I put thinner strings on, any chance this will help reduce the "clacking" noise of string on fret? Maybe these strings are too thick for the Sterling? I notice Ernie Ball has flats that are 40-60-70-095. Would this help? Any advice is appreciated.

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    Jodizzle's Avatar
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    Greitzer,
    what's up .. thanks for joining the madness here! It's hard to understand what is exactly going on with the "clacking" .. but I like the verbage. IMO, I would think that the noise woud be greater the higher your raise the action and the further the strings get from the fretboard. I'm trying to understand if it is the string hitting the fret that is creating the noise. You can try a lighter gauge set, but if you are used to 50g I'm not sure this would be best for your personal preferance. We offer a set that's a 40-95 as well as set that is a 45-100. It's worth a shot ..
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    greitzer is offline Registered User Newbie
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    Thanks for the response, I appreciate it.

    Yep, the noise comes from the string hitting the fret. It's not noticeable in the first few frets, towards the nut, but as I get up into the six, seventh frets and higher, there is pretty loud string-hitting-fret noise.

    Are the frets on this bass larger than the usual frets on most basses, by some chance?

    And perhaps you're right, maybe I should've lowered the action instead of raising it. Thanks for any insight you can provide. I sure love the sound of this bass, if I can only figure the string-fret-noise problem. Thanks again.

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    5Stringer's Avatar
    5Stringer is offline Ernie Ball Customer Service Senior Member
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    Grietzer, whenever I hear that a bass is fine before a string change, and after a string change is having issues like the one you described, I would always look to the strings, simply because that is the one factor that has been changed, hence that should be looked at before a lot of other measures are taken. I am not that familiar with the D'Addario Chromes, but it could be that the strings are too bright with the chrome wrap on the nickel-based frets. I agree with Jody who suggested the Ernie Ball Group III flats (catalog #2806, gauged 45-65-80-100) because they are more compatable with this bass, not just due to the wrap but because of the tension will be likely more similar to the strings that were originally strung on the bass. It's sometimes a learning curve (and sometimes an expensive one) when it comes to finding the right strings for your bass, so it's best to consider carefully what has the best chance of giving you the sound you want.

    Regarding your personal setup - if the upper frets are buzzing or otherwise making noise, what often works is to go ahead and slightly tighten the truss rod wheel (by turning it clockwise) and raise the bridge saddles up a little.

    By the way, our bass frets are no larger than on most basses - we just spend a lot more time on them.!

    Dan
    Last edited by 5Stringer; 12-07-2007 at 07:44 AM.
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    Dan's the man
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    aww shucks
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    Get a room!!!

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    greitzer is offline Registered User Newbie
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    Quote Originally Posted by 5Stringer View Post
    Grietzer, whenever I hear that a bass is fine before a string change, and after a string change is having issues like the one you described, I would always look to the strings, simply because that is the one factor that has been changed, hence that should be looked at before a lot of other measures are taken . . . I agree with Jody who suggested the Ernie Ball Group III flats (catalog #2806, gauged 45-65-80-100) because they are more compatable with this bass, not just due to the wrap but because of the tension will be likely more similar to the strings that were originally strung on the bass...

    Dan
    Dan and Jody, thanks to both of you for the advice. This makes sense to me, and I have ordered a set of the Ernie Ball flats you have mentioned, so I look forward to receiving them and hopefully they will be more compatible with the bass. If I have any further problems I'll let you know. I do appreciate the prompt responses.

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    I'm a little late for a response, but when I installed Chromes on my RB5, I too experienced the "clack". No matter how I adjusted my bass, the clack remained. Solved the problem with TI flats.
    On the verge of a nervous breakthrough.

    Sterling 5HH, Azola, Flathead '62, Tech 21, Gallien Krueger, Euphonic Audio.

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    5Stringer's Avatar
    5Stringer is offline Ernie Ball Customer Service Senior Member
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    phat5, thanks for weighing in on that. Very helpful.

    Dan
    About halfway between SF and LA lies the sleepy hamlet of SLOville -

    "I love the smell of polyester clearcoat in the morning!"

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    greitzer is offline Registered User Newbie
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    +1 -- Thanks phat5. Hopefully the string change will work for me as well. I'll post after I've had a chance to install them and play on them a bit.

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    Bassman_1980 is offline Registered User Newbie
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    my personal experience with Musicman basses is:

    Just string 'em with Ernie Ball!!

    i really tried almost everything on my M.M. basses but always keep turning back to E.B. strings!

    and for gauges:

    .045 - .100 for rehearsal's & recordings

    .045 - .105 or .050 - .105 for live gigs

    greets,

    Arjan

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    Quote Originally Posted by Jodizzle View Post
    Greitzer,
    what's up .. thanks for joining the madness here! It's hard to understand what is exactly going on with the "clacking" .. but I like the verbage. IMO, I would think that the noise woud be greater the higher your raise the action and the further the strings get from the fretboard. I'm trying to understand if it is the string hitting the fret that is creating the noise. You can try a lighter gauge set, but if you are used to 50g I'm not sure this would be best for your personal preferance. We offer a set that's a 40-95 as well as set that is a 45-100. It's worth a shot ..
    Does EB offer flatwound bass strings for a Stingray 5?

    Thanks,

    backagain1

  14. #14
    greitzer is offline Registered User Newbie
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    Arjan -- thanks the advice, but unfortunately the Ernie Ball flats haven't fixed the problem. The click-clack of string against fret is still annoyingly loud, and now there are buzzes at some frets, which I didn't have before.

    Soooo, my next step is to take it to a local setup guy who is supposed to be very good at this. If that doesn't work, I'm not sure -- perhaps ship it back to Ernie Ball, but that would really be inconvenient.

    Disappointing for an istrument this expensive, but hopefully somebody can fix it.

    Thanks to all for your advice so far, and I will keep you posted.

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    Funny, I've always associated "dull and clacking" with flatwound strings. That's why I've never used them, and can't understand why so many bassists like them.

    Do you still have the set of Slinky's that were originally installed on your Sterling?
    If so, I'd try to restring the bass with them and see if the setup still works with them, or if you get a lot of noise now as well. Also, the Slinky's stay rather bright for quite some time, but after that (some call that the "break in time) you'll experience much less finger-sliding string noise.
    Also, remember the Sterling is an active bass with a very powerfull EQ: Turning down the treble half the way might help a lot to lose the string noise, while you'll still have enough high end for a clear definition of the attack.
    Have bass. Will play.
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