Leo's Basses

[pan_of_qld]

I loved the George Fullerton thread so thanks for all involved and now I'd like to read a book on the whole story. What's around that covers this important era?

I'd also like some ideas on something that's been on my mind for years:

I grew up in the UK with Fenders once I could afford them instead of Vox, Hofner, Burns etc. When I found my SR4 in '77 it blew the Fenders away. Leo's progression towards perfection I thought.

I bought a G&L 5 or 6 years ago thinking it would be a progression from the SR4 to a new level but found I just didn't get on with it. What went wrong?

I recently treated myself to an SR5 circa 2001 and it's just great. The SR4 plus a bit more (as well as the extra string). So the MM progress is doing fine but what's behind the Leo story? Was G&L a serious 'progression' for Leo? Was it a hobby for him? Any clues me old low-end mates?

[Figjam]

Ive heard that Leo considers G&L his best work.. Im not sure if he had as much to do with musicman as he did to do with G&l, perhaps thats why the difference of styles.


Either way, i like Musicman the best by far, G&l being in second, but distantly so.

[Aussie Mark]

I own a G&L L2000, and it's a fine instrument, very well made.

[maddog]

I've never owned one but I used to drool over them in high school
















while I was looking at the MM's hanging above them. Damn music store owner kept chasing me off, swearing I was rusting the pole pieces.

[Mr Light]

Hello,

Hopefully Big Poppa will chime in. I am interested in his opinion, as well... I would have to say 'Yes' in some ways, the G&L's are another level from the traditional StingRay. The reasons I have are:

1. If anyone's ever played a G&L 2000, they know that the sonic versitility seems almost endless with the active preamp it has and the many ways one can configured it.

2a. It has the dual humbuckers remnescent of the Sabre.

2b. Those are basically "MusicMan-like" pickups, however I can't recall ever hearing a G&L that has that distinctive MusicMan bite, I haven't played one since Junior High/Middle School.

[BigBallz]

I owned a G&L...I have some tapes of old rehersals playing that bass with some early GK amps. I liked it. From memory, it was a blue one that you could see the grain. Cool bass.

[Mr Light]

...Like that Avatar of yours, BB...

[BigBallz]

Dangerfield!!!

[82Daion]

I've seen some early L2000's with mahogany bodies that are absolutely beautiful to me. The ASAT also is appealing, especially in the semi-hollow config.

But the Bongo sounds as good or better for less coin. Sounds like a deal to me.

But I wouldn't mind having both.

[BigBallz]

I have to aggree on that also...the Bongo has really surprised me. The playability and tone, are just incredible.

[Dr Stankface]

I've played one or two G&Ls. Quite frankly, they'd be my 3rd or 4th chocie of bass

Andrew

[Randracula]

At NAMM I was actually impressed more by the G&L Tribute basses than the American G&L 's.It wasn't that the Americans weren't good but that the Tributes felt and sounded so close to the real thing that I couldn't see paying $600 more for the American G&L's

[Colin]

At NAMM I was actually impressed more by the G&L Tribute basses than the American G&L 's.It wasn't that the Americans weren't good but that the Tributes felt and sounded so close to the real thing that I couldn't see paying $600 more for the American G&L's

Don't let Steve catch you talking about G&L

[Psychicpet]

I think the pick-up voicing and the pre-amp options were probably where Leo 'advanced' from his designs of his StingRays but it seems to me that where he really did the most was witht he guitars at G&L and kinda refined his StingRay designs for the basses but seemed to concentrate on redefinig the Strat and Tele

just my 2-bits though

[JB1]

Listen to some Skunk Anansie. That's Cass Lewis using (I think) an ASAT on there growling away.

Great sounding bass.