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Single H vs. HH--your opinions?

This is a discussion on Single H vs. HH--your opinions? within the Music Man Basses forums, part of the Gear Talk category; Hi All! I now have 4 Stingrays--two SR4 H models, one SR5 H and one SR5 HH. While the HH ...

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    shastaband's Avatar
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    Question Single H vs. HH--your opinions?

    Hi All!

    I now have 4 Stingrays--two SR4 H models, one SR5 H and one SR5 HH. While the HH model with the five position selector switch does have more varied tone possibilities, I find I prefer playing the single H models. The sound seems much more focused, direct, and punchy to me. The HH seems a bit more diffused, somehow not quite as concentrated and intense as the single H sound, so that I usually end up playing with the bridge pickup only, at least onstage. (I confess I haven't had the opportunity to record with the HH yet.) As a result, I just ordered my 20th Anniversary SR5 with just one pickup (and the rosewood fingerboard and matching headstock).

    Anyone else feel this way about the difference in sound between the single H and HH?
    Last edited by shastaband; 04-01-2007 at 07:22 AM.

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    SLUGGO's Avatar
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    I have the exact same feeling about the single H. I have an SR4HH and almost always play it in the single H mode. I do enjoy the variety of the HH, but always wind up back to my favorite position. My 30th SR4 is amazing sounding, I feel it is unfair to compare it to other SR4's!!! So, when I ordered a DD SR5, I got the single H. (By the way, where the hell is that thing anyways??)
    2007 SR5 HS 20th Anniversary
    2007 SR5 H Dargie Delight
    2006 SR4 HH Black/Gold LE
    2004 SUB SR4 - for sale

    MarkBass - LM II, SD 800, Traveler 102, STD 151 HF

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    Psycho Ward's Avatar
    Psycho Ward is offline Registered User Senior Member
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    Sometimes "more" isn't needed. I love my H/H and H/S Bongo's, they are monsters! But I pick up the single H more often.
    Psycho Ward

    King of Lefthanzia

    "I now pronounce you KING of LEFTHANZIA...its official and no one can take it away..." -BP

    4 Bongos
    4 Sterlings
    2 SR5's
    1 SR4

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    saxnbass's Avatar
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    That's why I want an SR5 H and a fretless Bongo HH. Cause with fretless, I prefer variety, and don't really need/want punch.

    ^^ To go with my Sterling, of course.
    Eric

    2007 LE Blue Dawn Bongo4 HH Piezo Unlined Fretless
    2003 NAMM Egyptian Smoke Bongo 4 HS Fretted
    1994 (April 29th) Sterling H, Black, Maple, Matching (Rad Red LE Neck); Fretted (not in my possession )
    Through MarkBass Amplification, of course.

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    Bassjones42's Avatar
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    I have personally found that the SR5 HH sounds exactly how I need it too. I have owned at least 4 SR5 H basses on and off over the last few years, however I always sold or traded them off for some type of j-bass. I needed the bottom end that IMO only a neck pick-up can supply so the HH flat out nails it for me. I like the versatility that the SR5 HH provides, however I keep it on setting 3 all the time. When I had the SR5 H basses I kept them on the parallel setting all the time. I find that both coils full out on the SR5 HH is the ultimate combination of punch, articulation and bottom end. Fine tuning the 3 band eq can make the bass either blend right in with the mix or punch through it like a sledge hammer. At rehearsal today it sliced through a ten piece band with ease. In short, it was heard as well as felt. I have always loved the feel, build quality and vibe from EBMM basses, they are second to none as far as I am concerned. No matter how many times I stray, I alway come back to the SR5. Now with the HH, this bass is a force to reckoned with. Can anyone tell me the B-Day of this bass? Serial #E52994 - thx.

    Cheers,
    Paul Theriault
    Bassjones
    SoundClick artist: Bassjones - Subversive Smooth Jazz/Funk


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    saxnbass's Avatar
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    ^What is that color called? (for my collection of bass pics).
    Eric

    2007 LE Blue Dawn Bongo4 HH Piezo Unlined Fretless
    2003 NAMM Egyptian Smoke Bongo 4 HS Fretted
    1994 (April 29th) Sterling H, Black, Maple, Matching (Rad Red LE Neck); Fretted (not in my possession )
    Through MarkBass Amplification, of course.

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    bovinehost's Avatar
    bovinehost is offline Moderator Lord Bongo
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    I just ordered my 20th Anniversary SR5 with just one pickup (and the rosewood fingerboard and matching headstock).
    That's exactly what I ordered, too.

    Must be something to this single H theory, eh?

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    azzy_wazzy's Avatar
    azzy_wazzy is offline Registered User Senior Member
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    Quote Originally Posted by saxnbass View Post
    ^What is that color called? (for my collection of bass pics).
    Not sure if it's Candy Apple Red or Lava Pearl... flash makes it hard to tell.
    "Bobby" - Candy Apple Red Rosewood Sterling H w/Abalone - Feb 1st 2002 - F05226
    Quote Originally Posted by Big Poppa
    I don't think musicians should be trusted with wrenches.

    Thanks to the generosity of my favourite bunch of Knuckleheads, our beautiful Balls have been saved!

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    saxnbass's Avatar
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    Mmmm. Makes a difference, doesn't it? lol
    If I can, I like to name them (the file name) by model, pickup configuration, color (with MusicMan basses at least).
    Eric

    2007 LE Blue Dawn Bongo4 HH Piezo Unlined Fretless
    2003 NAMM Egyptian Smoke Bongo 4 HS Fretted
    1994 (April 29th) Sterling H, Black, Maple, Matching (Rad Red LE Neck); Fretted (not in my possession )
    Through MarkBass Amplification, of course.

  10. #10
    asianjeff's Avatar
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    looks like lava pearl to me...

    I play a single H, but kinda prefer the HH, I like a warm bassy tone... but that is just me...
    Jeff

    Bass:
    S.U.B 5 Black

    2007 LE Blue Dawn Bongo 5 HH

    SWR SM-900 Head
    SWR 8x10 Megoliath

  11. #11
    phatduckk's Avatar
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    personally when it comes to sr4s im an HH guy. to me position 1 on the HH and the single H sound exactly the same. so to me the HH is just "more bass". i use the switch a lot. I like it for immediate tone changes and find that all the positions on the HH w/ the eq on flat are awesome.

    now when it comes to sterlings its not as clear cut cuz the H has switching positions for both series and parallel whereas the HS and HH sterling do not have a position for parallel.

    so as far as SR4s go, to me, there's no doubt that the HH is what i want. never played an HS SR4 tho so i cant comment on those

  12. #12
    Bassjones42's Avatar
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    Quote Originally Posted by saxnbass View Post
    ^What is that color called? (for my collection of bass pics).
    Yep, it's lava pearl. Sorry but the camera is a P.O.S. In person however the bass has the most elegant copper glow that I have ever seen. The matching headstock just makes the whole appearance breath taking. Wow, at least I'm not too smitten with Stingrays 'eh? LOL

    Cheers,
    Paul Theriault
    Bassjones
    SoundClick artist: Bassjones - Subversive Smooth Jazz/Funk


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    Rano Bass's Avatar
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    As much as i like my SR5 HH i know a single H is where it's at.
    On SR 4's i'm shure an HS would be perfect but i haven't tried one yet.
    Stingray HH 5 natural maple DOB 05-02-06
    Mark Bass LM II

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    Psychicpet's Avatar
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    HH was nice for a recent restaurant gig with a Latin duo... guitarist has a bit wonky tone and the options to 'switch' up my sound was a god-send ..... 20th Anni. is reeeeeeally getting to me and although I dig the look of a single H SR5, I still need a bass to be a player to me so I might be going the HH route, that is to say if I go that route at all.... dammmit... I feel an email to KScoles comin' on
    "Top pros 15 - Talkbass 0"

  15. #15
    b-unit's Avatar
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    Lets hear from Stanky on this one. he has one of each SR5 pickup combo.
    1. Trans Orange SR5, (Ceramic)
    2. Black Cherry Burst SR4.
    3. True Gold Bongo 5 H with Torte
    4. Black and Maple SR4
    5. Sterling Silver SR5, (Alnico)
    6. Natural SR4 Fretless
    7. Trans Red Sterling 4 Fretless

    All Lefty

    - Dwelling on the banks of the deep end.

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