S-bird:
Gosh, the tone of that post seems awfully familiar to me. There is an idiot that posts over on Talkbass who says nearly exactly the same things about the Bongo and frankly has his head completely up his anus. Anyone who would prefer a Korean Schecter over a USA Ernie Ball product has criteria about which I can't even guess.
The guy really pisses me off, so if you don't mind too much, I'm going to delete that post after a bit. I don't care if someone doesn't like the Bongo, but the things he writes are simply lies, and he is a troll. He enjoys stirring the pile, as it were. And:
1. "The neck is rigid and doesn't play smooth or fast." So what is preferable? A soft, shifting neck? See what I mean? It's nonsense. Smooth? Fast? Listen, I'm not The World's Smartest Bassist or anything, but I've owned USA Laklands, Modulus, pre-EB Stingrays, pre-CBS Fenders, and a slew of modern EBs and Fenders, including my current Custom Shop Jazz. The Bongo neck is as "smooth" and "fast" as any neck I've ever played.
This is simply trash talk about the painted neck. People forget that over the paint, there is a FINISH. So can you feel the paint on the neck? Think about it. Of course you can't. It feels like any other neck with a finish on it, because that's what it IS.
2. "...the edges of the neck totally dig into the creases in your fingers and actually hurts after a while." Given that I've played mine on three/four hour gigs, I suspect this fellow has a techique problem. Everyone here knows the QC reputation at EB. You think the "flagship" bass is going to be lower quality than the Stingrays and/or Sterlings? Of course not.
3. "I then picked up a Schecter Studio 5." Which is what I think this troll over at Talkbass actually owns.
4. "Thosse bongos look cool but feel cheap. They are made of basswood." This is another clue that this is my trolling pal from Talkbass - he knows nothing about wood, but has heard that if it's basswood, it's trash. Anyone here know the truth about the so-called "tone woods", specifically the Holy Duo of alder and ash? Leo used it because it was cheap and plentiful. Basswood is cheap and plentiful, too, but it isn't a "pretty" wood, but then again, it's under PAINT, so who cares? Basswood sounds GOOD.
And as far as the feel goes, I'd like to know how it "feels" cheap. Is it the tuners? The flawless finishes? The pickups? The other hardware? No. This guy also thinks the metal knobs on his Schecter equate to higher quality than plastic knobs. (My rather expensive Custom Shop Jazz bass has plastic knobs, by the way.)
So I've once again had to waste a bunch of time because of this asshat, whose nick over at Talkbass is "Mr Goody Good". I appreciate that you didn't know all this, by the way, so it isn't your fault at all nor am I miffed with you, and I don't mind answering questions that you guys have, but this phuquestick is just a troll and has no idea what he's talking about.
So....I don't want to delete your post without letting you know what's going on, so if you don't mind, I'll leave this up a bit so everyone can read it but I don't want this guy's fecal-droppings infecting this board if I can help it.
Cool to delete?
Thanks.
Jack
BTW, here are the reviews I found:
Bongo Review