Sound like that might be a better option then as I can't seem to find decent condition sterlings or stingrays second hand in my price range. How would any of you say a bass like the second hand SUB would compare to a brand new sterling by musicman?
I tried a new import Sterling in a shop. Nice ax but not toadally "there" for me.
One diifference about the SUB, not mentioned above, is that there's no body
contours ["belly" & "forearm"]. Acoarst, you could pay EXTRA for this absence
.... just by opting for a new "Classic" SR .... so no alligator tears about that !
And with a Classic you'd also be paying extra for a 2-band instead of the now
more commion 3-band EQ. IOW, the SUB is the real bargain in a Classic/Retro
SR. BTW, a few "real/proper" SRs were also made with poplar bodies as well,
so don't lizzen to those who dump on poplar. It sounds great. One reason it
costs less is simply that it is easy to work with and does not quickly dull the
cutting tools .... which saves money during the build process. Also, poplar is
for opaque finishes only. IOW, it is born with a 'perfect face for radio'.
I'd say the only possible negative to a SUB is the glossy painted neck. Some
players, including me, just don't have an issue with it. Other players will not
play a glossy neck ... from ANY builder. I spoze it depends on your body
chemistry [sweat, skin texture, etc] and your on-stage conditions [climate].
Laters SUBs have normal-looking PGs, but earlier SUBs have that awful thing
that looks like a disposable 'quilted aluminum' cookie sheet [oven ware]. No
real harm in that, functionally. If the price is lower with the uglee PG, then
you spend the difference on a cool PG. Mounting holes are normal pattern.
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