I have had 2 originals, a 97, and 95. I still have my 95. I regret selling my 97.
I also have 2 reissues.
All of them are top notch pro quality instruments.
Differences off the top of my head:
Most noticeable difference is number 1 below.
1: Bridge pickup height on the original is closer to the strings by default. This results in the guitar having a hotter signal.
2: Bridge on reissue is not the original Ebmm Gotoh version. I do not know which company makes the reissue bridge. They are both excellent extremely professional quality bridges, transition from one to the other is effortless. I love both bridges as they perform perfectly and identically. I have 2 ebmm guitars with the original Gotoh floyds, and 2 with the new ebmm branded floyd bridges.
3: The angle of the trem bar flares out more on the reissue, not much but it is noticeable.
4: Trem bar can be pulled out of its socket by hand on reissue, Original needs hex key to loosen before being removed.
5: The Nut on the reissue is not bolted in with set screws as it is on the original.
6: Necks on my 2 originals appear to be more curly than reissues. All the necks are extremely nice an play fantastic.
7: Necks on the reissues may be ever so slightly less V sculpt and ever so slightly more C sculpt, but this is Extremely negligible, and most likely the result of the hand sanding process. I transition from the reissue neck to original neck effortlessly, as I do to my axis. All of these necks are close and play better than any other brands neck imho.
8: Original has the recessed back neck plate. Reissue does not.
If I can think of more I'll post. I need another cup of coffee right now!
Regarding numbers, I have absolutely no idea. My suspicion is that the number of reissues was rather low, as I tried to buy a third but could not locate one to buy. They were only available in Europe too, ( I wish they were made available in the US, as to why they were not I can only speculate), so that needs to be taken into consideration with regard to my suspicion of low numbers.
Cheers,
Tom