Post your story of how you either played or bought your first musicman stingray

jfiala

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Hi guys, I'm new to the forum but I wanted to start a post on how you came to play and/or buy your first musicman. A year or two back I was lucky enough to go to my local guitar center who I knew the head tech(left to start his own guitar shop), and after seeing me fall in love with an american standard jazz, pointed me towards the clearanced musicman stingray. After playing it I still had my mind on the jazz bass, but respected the musicman. The next day when I was going to make a down payment on the jazz bass, he pointed me towards the stingray again. They clearenced it all the way down to cost at 1100 with the case.
I respected the bass but didnt fall in love with it like I did the jazz until I realized why. The ampeg classic svt amp I was playing on had its gain down to have of what I was use to. I reconsidered everything and rematched the guitars including the american standard p bass. After having multiple people tell me to snag it before I noticed my stupid error, I started to realize why.
I appreciated the cut through tone that was produced on the jazz bass, but with added gain, it really only emphasized a brighter sound. Messing around with the Stingray's versatile 2 band eq, I started to notice an array of sounds that are some of the most beautiful tones I had ever heard. After taking a few days and having the store put the musicman behind the counter(don't want anyone to steal it out from under me), I finally made up my mind to put the down payment on the musicman. Everyone at the store did not understand why it had the most beautiful flamed vintage lacquered neck on it, but after I had recieved the down payment reciept I understood why.
Not only was this a classic musicman created in around 2008 in a beautiful butter cream with tortoise shell pickguard and rosewood fretboard, but it was one of the originals created of that series, as it was first known as the Ernie Ball Musicman Stingray Classic Deluxe. The icing on the cake was that this very bass guitar appeared in the Guitar Center Plantinum series guitars at a whopping $2567. The reason they marked it down was that it had stayed in the store for +3 with very little interest due to its substantial price, being lowered from 2500 to 2300, to 2000, to 1800, to 1600(first clearance I saw where I believed the 1300 dollar jazz seemed to be a better fit), all the way down to 1100.
After paying it off from working 3 jobs during the summer time, I was able to get it back home in 10 days, right in time for my first gig with a band called bad swing. Hearing it through my vintage 4x10 + 1x15 Fender ampstack with an acoustic b300H head proved to me that it would forever be my favorite bass guitar.:)
 
Here is the stingray my story is about. Enjoy!
 

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Great story, congrats on that beauty!

My first musicman experience was about 2 years ago. I was playing p-basses at the time and liked them alot but there was just something missing. I really wanted to try a sr4 since ive heard some stuff recorded with it. But on the 2nd hand market it is slim pickin over here in belgium. Also my budget was limited so buying new was no option.
I found a sr4 that was modified with nordstrand pickups and it was 100€ over my budget, the guy wouldnt lower the price so i moved on (still glad i did) and found a 2nd guy that had a sterling up for sale. I didnt know the real difference at the time between the sl4 and sr4 so i called him up, talked him down from 1100 to 900€ and picked it up a few hours later. Its a 98 mint condition sterling in trans red. Still the most agressive and fast playing bass in the bunch. And what an upgrade from the p-basses . Sold my 2 mexican p's a month later and bought a classic ray on ebay. What a bass! Last year i ordered my first new musicman (pdn neptune blue) and also bought a 94 stingray for touring purposes, it was suposed to be a bass that could be beat up a litl but it has grown on me fast and is now actually my go-to bass at the moment. But i love all of em! Really fell in love with musicman instuments over these past years and it doest seem thats gonna change anny time soon! Here is my collection now, it will stay like this for a while if all goes well, no purchases planned....yet.
 
You have an awesome story as well! I feel like everyone has heard the stingrays, but the difference between a person who loves p basses or stingrays the most are the people who have played one(devote stingray fan, so sorry if someone likes the p bass and has tried a stingray)
 
Dont get me wrong. A p or j-bass have their own sound and can sound and play great too. The comparison ive got between ebmm and mexican fender basses was just worlds apart. However, if i'd have a buch of cash thrown at me, i would deffenitly ad a jazz and precision to my collection! On the other hand, every time i got some funds for a new bass i seem to want a new musicman even more.....annyhow, in my case i had to choose and i went with musicman for its quality, playability and unique sound.
 
I played a Stingray that belonged to a friend back in the mid 90's and it scared me to death :D

It took a while to get the cash together, buying, selling, trading in various different basses to finally get the real deal in the form of my 2005 LE and its been with me ever since, its my go to bass so to speak. SR4 3x band

Then around 2010ish I find myself in America and buying another Stingray from a forum member (That is now know as "the SunBlue Warrior") So now I have two identical (apart from the cosmetics) 3x band SR4's

The Stingray has a very unique sound, you can spot it a mile away! so SunBlue has had a few mods done to it apart from the paint but not really topic of conversation for this forum, all fully reversible so I now have two Stingrays that sound very different from each other, record differently, its all good :cool:

At the end of the day, EB Basses in what ever form there in, its a love affair that will last a life time :)

(pictures can be found on my profile here)
 
and my first ray owned and played is Danny's SunBlue, though it was a sunburst back then. There has been 20 or so in between it and my sterling 5.
 
Always admired the look of 4 string Stingrays and enjoyed the way they sound. Back in 2006/2007, EBMM's website had an option builder where you could select the color, fretboard, whatever and then check dealer stock. Just so happens the nearest dealer had an SR4 HH in stock that was the same exact color combination as I built on the site - Carbon Pearl Blue with maple board, matching head and white pearl guard. I thought about it for about a week, contacted the dealer, put it on layaway and brought it home a month or so later.
 
Hello everyone,
I have lurked here over the years but only registered today.

I have been playing bass for almost 40 years and as a lefty I have had limited access to instruments as one might imagine.
Last summer I was in Houston so I HAD to go to Southpaw Guitars!
It was the first time in my life that I have had the same experience every right hander has when walking into a guitar store! I actually had tears in my eyes, it was rather overwhelming. Then I wiped them away and got busy handling and playing basses that I have had the opprotunity to play in my life.

There were many great basses there and I had a great time. The highlight though was this:


The Stingray was one of the finest instruments I have ever played and if I had had the money I would have bought it on the spot.

So the bug has bitten, I've got to have a 'Ray!
So, I'm saving my $$, for it will be mine....oh yes...it will be mine! :D
 
`

Some of you [lotsa you ?] will find this unpleasant, but
back in my "bass noob" days, I thought there were just
certain basses you spozed to have, like frintstint a Jazz.
So I got one of those. I was not limiting myself to just
one bass, and it seemed you're also spozed to have a
StingRay. Well I tried a few in shops, but they were too
harsh to my ears etc etc and I tried a few over time but
none followed me home.

Then one day I encountered one that was real different,
and I loved the sound so it went home with me. Since I
was not an EBMM fanboi or otherwise knowledgeable of
MM lore, the black knobs and BassLines PU did not look
outa place. Lotsa brands use name brand PUs from 3rd
party suppliers. Knob color ? Meaningless detail. OK, so
you can barf in a bag now. The only reason I loved that
sound was cuz it was, in EBMM fanboi terms, All Wrong.

------------------------------------------------------------

OK, so now playing in the background you should hear
"Spring" from Vivaldi's Four Seasons .... here's a bit of
the sunny side of that story. That ax was also my first
really nice fretless. Turns out I have no complaint with
the voice of ANY fretless MM, even with ceramic PUs !
So despite MMs being too harsh [for me] with frets, I
really fell ass over tea kettle for EBMM FLs [see my sig
file]. And over time I learned about strings and playing
styles and the band mix, and so I ultimately found that
I had a need, and appreciation, for the native sound of
MM fretted basses as well. [Vivaldi rises to crescendo].

Dontcha just lurrrrv a happy ending ? ! !

-----------------------------------------------------------

P.S. TWIMC, "Mixed Breed" in my sig file indicates a
Moses FL neck on an MM bass. The BassLines modded
bass [with SD EQ-pre] is gone. I think I still have my
first "Totally Real" EBMM but I'm really not sure which
one it is ! Doesn't matter. My keeper for life won't be
my "first love" anywho. It will be my EBMM S.U.B. cuz
it shares my own DOB :-) What the stars have joined
together let no man put asunder !

`
 
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Having stumbled across a great deal in my younger days I played a P for 25 years.
About 4-5 years ago when I decided to switch to 5-string I knew I wanted a 'Ray.
I did a church audition where the bass player had a Stingray-5 hooked up so I used that for the audition.
I had no problem switching from a 4-banger to a 5 and the Stingray felt smooth and natural in my hands.
The only decision after that was what to buy.
I knew I wanted something special so I looked around and chose the Honeyburst 5er shown in my siggy.
Two weeks later I bought the 25th anniversary and that became my working bass.
 
All of these posts are awesome! And as for the modifications to a stingray goes, I completely understand being a bass player who records and performs. When you are in the studio, sometimes the same bass pickups throughout many albums won't be able to do the trick. Though the tone the classic alnico magnet musicman pickup puts out is phenomenal, sometimes a bassline, emg or bartolini pickup will mesh with the band better for a certain song. I would prefer not to have multiple of the same bass if the tone was exactly within the studio. That being said, I would love to collect musicman stingrays in the future, and each bass will very in weight and some in contour(slab vs contour body), so in a live situation, it would be beneficial to have multiple of the same bass(also for back up purposes, the wear on the neck, the tension the knobs adjusting back and forth, and of course the color :) )
 
back in hmm.. 1999/2000 a friend of mine graduated from mit. he brought a band with him to norway and they toured the country. the bass player was brian allen and he had a fretless stingray. whoa what a sound it made

it took quite a while for me to realize that was the sound i heard in my own mind. so after trying all kinds of different things like a few different jazz, presicion basses, pickup changes on said basses and an expensive tobias i finally realized what i wanted.
so when i could afford it i ordered a twin set of sr4 30th basses. one fretless and one fretted. the norwegian distributor couldnt get them anymore so i ordered them from bass central. now the wait began

at this time i was working in a local guitar store so when the distributor in our country visited us he had a special deal with him. along all the gems was a stealth bongo 4hh. the price was excellent so i said i would take it.
a week later the bongo arrived and it was a great bass. very alive and with plenty of oomphf. it was the first musicman i played but i didnt fall in love with it until i put flats on it.. man what a sound!

bit later the twins arrived and they were spot on.. since then i have bought way too many of them (if there ever was something as too many basses :))

lets see.. i got 2x 20th sr5, 3x 30th sr4, a redwood sr4, a sparkly sr4 (which smells like vanilla.. love that smell), a rosewood bongo 4h, a bongo 4hh stealth, an early sr4 b001058 and a couple of eb guitars

my favorites right now are the 30th sr4 fretless and the rosewood bongo.. insanely great basses!

MrM
 
After 25 years playing guitar, I started playing bass so i wanted to found a 70s funk/disco band, I discovered some old bands and was impressed with some 70s stingray players, last year I got an 89 EBMM 2 band SR4 now with a Nordstrand pickup that I love, and in a couple of weeks a true 100% original 77 natural stingray will come home, I don´t own another bass but stingray.
 
`

Hopelessly sentimental romantic that I am .... NOT
.... I recently put my very first MM on offer at a local
shop as a consignment item, and I just learned today
that it will soon be heading out to its new home in PA.
Bon voyage to it, best wishes, and "happy trails" !

See, I CAN be sentimental :-)



`
 
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Way back in the early 70s when I started playing bass, my dream was to have a Fender Precision bass. However I was bought a very good Japanese copy of a Fender Jazz, with flatwound strings and set about developing a R and B and rock style, copying all the hip bass parts of the day. I played in a band which could be described as part prog rock/part jazz rock. Around this time the whole band went to see Stanley Clark, Buddy Rich, The Crusaders in concert and I got turned on to different bass styles and sounds. Then appeared Bernard Edwards with Chic and I found my R and B style of playing meant I could play this music pretty well - I left the prog rockers and joined a touring disco/soul/funk band still using the copy jazz by now with Rotosound roundwound strings.

I decided I needed something better, and with enough money to buy a decent bass, I went in search of the bass my favourite player, Bernard Edwards played. I found a shop with a new sunburst Stingray in stock, spent half an hour playing it in the shop and bought it - I found I could not only get a great R and B sound but could get such a fat and cutting slap sound, and also could get an acceptable tone for Stanley Clark songs it was bass heaven for me. It was also a dream to play. I well remember the first time I used it for a show, and in the first song there was a short slap and pop section - the sound from my stack was truly head turning.

The sound of a Stingray bass still makes me smile greatly - 35 yrs later I don't have that first Stingray any longer - I sold it in the late 80s for significantly more than I paid for it - it sold the first day the ad appeared and the guy came 100 miles to get it.

However I do have only Musicman basses these days and 5 are Stingrays. I have tried lots of other basses over the years and the only other ones that I really like are very old P and J basses and Wals. The right pre EB Ray would also interest me. I also want a peach Stingray, a natural Classic ........... OMG the gas never goes!!
 
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I stumbled on the Stingray back in 1978, when I switched over from playing guitar. It seemed like every band in SF needed a bass player. I was into the edgy sound of punk and really disliked the Fenders I was borrowing. I scratched up a whopping $300 cash and bought a new MusicMan Stingray from a little mom-n-pop music store. I still have it, though it doesn't make it to many gigs these days.

Here’s a picture of me playing the bass from somewhere around 1990 at the Keystone Berkeley. I'm using my Stingray through a MusicMan HD115 head and an Acoustic 2x15 cab.
scan0002.jpg
 
Went in to a GC looking for a P. Saw this ugly bass with a ridiculous looking egg shaped pickguard and thought "WTH let's check it out".

The rest is (my) history.
 
In Dec of '07 I had two 35" scale basses that were causing hand discomfort with the onset of OA. I came across an Ed Friedland demo of the 20th Anniversary SR5, ordered one the next day and never looked back.
 
I started playing on a borrowed Squier P-Bass and after half a year I decided to buy my first own bass guitar. Everyone told me to go to a large music store and just play about every bass they have in the showroom to get a feel for the different types. Most likely the right one will show up. I planned to invest 600€, but still test drived a lot of much cheaper and also much pricier basses.

Well. The Bongo chose me. It was a burgundy colored HH model and right from the start absolutely everything appealed to me. It felt great on my lap, it had the right neck, it sounded huge... everything was right, except the price. It exceeded my 600€ limit by a solid 1100€...
But I was certain: this is THE bass. So I lived off of water and toast for two months, put every single dime I could get away and then ordered my Stealth Bongo 4HS.
 
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