yes mine is the STANDARD NORTON not the air norton. The standard, like i said before is great. I had in the bridge and it just absolutely rocked. I switched it out recently because the guitar it was in needed drastic repairs, so i am currently using it as a neck pick up in conjunction with the EVO in the bridge.
The sound is versitile at best. very good spilt combinations. Very stratty sounding even on my ibanez artist ( ala les paul style guitar) believe it or not hehe. it works well in both positions. The description about it being "nasty" in the bridge is a great way of putting it.
It has a Jerry Cantrell sorta grind (pun intended) to it. It can cover all style of rock/metal extremely well. Balanced, toneful and aggressive. I picked this pickup because of the description on Dimarzio's site( i use a 5150) and i wanted to get a pickup that people didnt seem to be going nuts about. I wound up getting my "secret" weapon, although not a secret anymore, and was very pleased.
Honestly i like it better than the EVO but i didnt want to just have the stock ibanez super 58 and a norton(outputs didnt match well) and i certainly wouldnt want to put the EVO bridge in the neck position ( although the experimenter in me really wanted to see what it would be like, even if it wound up being a failure) haha.
As for the air buckers, i have played an ibanez petrucci with the air norton in the neck and it was a good rounded neck pickup sound with good output. It too, like the standard Norton, can be used in the bridge but i haven't had money or the desire to really persue somthing like that merely on a whim.
When i emailed Dimarzio and told them i wanted pickups that would really be versitile and cover anything from Pantera, Dream Theater, Jazz, Fusion, King's X, Soundgarden, Temple of the Dog, worship music, blues, Alice in Chains, U2, the police and whatever else im into... they told me the best combination would be the Air Zone and the Air Norton.
*** note*** i also was going to wire them the "petrucci" way, with the 4PDT, 3-position switch so that it would create a humbucking parallel single coil combination when in the center position.***
also... a friend of mine got a tone zone in the bridge after switching out an X2N. he didnt like it for a while but it grew on him. The thing with the standard Tone Zone is that it is bass and mid heavey with high output. It can sound muddy but after lots of tweaking it can grow on you and become an integral part of your sound. As for me, i really didnt care for it too much and was glad i bought the Norton over the Tone Zone.
Plus, in the description for the Norton it states that it is inbetween the Tone Zone and The Fred, which after reading the descriptions of each i felt that it was a superior pickup when compared to the Tone Zone and the Fred because it contained all of its strengths with no real quirky things about thier design/eq/output.
Its output is perfect for high gain rock/metal because it allows the distortion to breath just enough to really sing and be open. If there is nothing that i hate more is overly compressed distortion. if your a fan of the "brown sound" the Norton will help you to be well satisfied.
so i hope this helps you make a decsion.
man.... i should write for Guitar Player Magazine!!! hahahah
GOd bless,
Tony