WOW! This is turning into one of the toughest things ever for me to decide so I am seeking the counsel of my Knucklehead brethren...I am going to buy 2 Roasted Maple basses that will be my 2 main giging road basses. I can only carry a Dual MONO bag with me on the road most of the time so I am limited to carrying only 2 basses about 90% of the time. I LOVE the Stingray and I am going back and forth about getting a Stingray and Stingray 5 and calling it a day...
BUT these are such special instruments and could potoentially be with me for a lifetime becasue of the rarity of them and I do not want to miss the boat on anything! My thought process has been all over the place! Get the 2 Rays...get a Big Al SSS and a Big Al H...Get a 4 and a 5...on and on and on! LOL! It is crazy! TOO MANY CHOICES!
I have a 25th 4HH but I am also toying with a Single H 4 string Reflex or a Reflex 5 HH...SEE! It never ends! I will most likely keep my 25th as I can't see not needing it at some point in the studio or the occasional TV gig or something that I want it for. I love the idea of the Big Al and the neck is KILLER. Can somebody tell me why the Single H Al is "better" or the SSS is "Better"? I love having tonal options and I play a very broad range of material so the SSS has a lot of appeal...BUT I would rather have 1 GREAT tone than numerous OK tones.... For the record I played an Alder Big Al at GC in Raleigh yesterday and I dig everything about it...
I HAVE TO GET A GREAT STINGRAY TONE THOUGH!!!! I prefer that Paul Spencer Denman tone (Sade) as that is what I hear in my head and what I would say I sound closest to when I play. I would really like to get that tone and a few others if possible in one or 2 basses. I have an SR5 now that I really love so I don't HAVE to get an SR5 but the allure of the SR5 with an EBONY BOARD is very strong for me...
SO...the thought process is really 3 fold:
1. Do I get the SR5 and an SR4 that I KNOW I can get my tone from?
2. Do I get an SR5 and a Big Al or a Reflex that I know I can get some different great tones from?
3. Do I get 2 different 4 strings (Say an SR4 with a 2 Band EQ and a SLO neck!!!
and a Big Al SSS...
)
If you could get 2 of these what would you get and why? I am not opposed to the Bongo or ANYTHING else either. I have had a Bongo 4 HH and a Bongo 5 HH and really dug them to and that just clutters up things for me too! You can see my Dilemma!!!
PLEASE HELP ME DECIDE! Keep in mind that the 2 choices will be my main 2 axes on the road...I don't have to have a 5 string with me all the time but on certain gigs I need 1. I use my 4 strings about 95% of the time...
THANKS!
Peace,
T
BUT these are such special instruments and could potoentially be with me for a lifetime becasue of the rarity of them and I do not want to miss the boat on anything! My thought process has been all over the place! Get the 2 Rays...get a Big Al SSS and a Big Al H...Get a 4 and a 5...on and on and on! LOL! It is crazy! TOO MANY CHOICES!
I have a 25th 4HH but I am also toying with a Single H 4 string Reflex or a Reflex 5 HH...SEE! It never ends! I will most likely keep my 25th as I can't see not needing it at some point in the studio or the occasional TV gig or something that I want it for. I love the idea of the Big Al and the neck is KILLER. Can somebody tell me why the Single H Al is "better" or the SSS is "Better"? I love having tonal options and I play a very broad range of material so the SSS has a lot of appeal...BUT I would rather have 1 GREAT tone than numerous OK tones.... For the record I played an Alder Big Al at GC in Raleigh yesterday and I dig everything about it...
I HAVE TO GET A GREAT STINGRAY TONE THOUGH!!!! I prefer that Paul Spencer Denman tone (Sade) as that is what I hear in my head and what I would say I sound closest to when I play. I would really like to get that tone and a few others if possible in one or 2 basses. I have an SR5 now that I really love so I don't HAVE to get an SR5 but the allure of the SR5 with an EBONY BOARD is very strong for me...
SO...the thought process is really 3 fold:
1. Do I get the SR5 and an SR4 that I KNOW I can get my tone from?
2. Do I get an SR5 and a Big Al or a Reflex that I know I can get some different great tones from?
3. Do I get 2 different 4 strings (Say an SR4 with a 2 Band EQ and a SLO neck!!!
If you could get 2 of these what would you get and why? I am not opposed to the Bongo or ANYTHING else either. I have had a Bongo 4 HH and a Bongo 5 HH and really dug them to and that just clutters up things for me too! You can see my Dilemma!!!
PLEASE HELP ME DECIDE! Keep in mind that the 2 choices will be my main 2 axes on the road...I don't have to have a 5 string with me all the time but on certain gigs I need 1. I use my 4 strings about 95% of the time...
THANKS!
Peace,
T
Last edited: