As an owner of a rosewood fingerboard SR5, I have for some time been aware that 34" scale length has its limitations for a 5 string. The B string has to be played a little lighter than the rest of the strings (particularly if you like a low-ish action). The B seems to be a "different animal" to the other strings and didn't feel balanced with the others. Also, sounding a little "boomy" and loose.
Picking up on a tip someone mentioned in a previous thread, I added some extra tension to the string by threading tubing onto the end of the B, between the ball end and the back of the bridge. By experimenting with materials and adding over an inch, I noticed a major difference in the sound and playability of the B string; it felt tighter, more focused and notes sounded more clear. Also, the extra tension made it sit better with the other strings, so almost no difference in feel over the whole set.
I did a lot of comparison tests between standard and extra the new extra tension B string (intonation, sound, etc.) This was with a new set of steels, 40 to 125.
I know some manufacturers have a string-through-body option, so I ended up making that modification to the bass. By drilling through the body at a 60 degree angle from one of the existing screw holes near the B itself and coming out the back. The string runs through the body into the bridge through one of the existing screw holes. I don't consider this to weaken the bridge, as the string pulls down anyway (see attached picture).
Although the back part of the job is not finished yet (need to fit a more permanent metal receptacle for the ball end) the result is as I expected from my previous tests.
It may sound a dramatic modification to do to the bass, but to me, it solved the long term B string problem, it really works. I am sure its not something that EB would approve off, but its a shame its not a standard option on the SR5s.
I know some purists will write and say there is nothing wrong with the standard scale length, but I guarantee this modification has improved the B's sound and playability massively.
Picking up on a tip someone mentioned in a previous thread, I added some extra tension to the string by threading tubing onto the end of the B, between the ball end and the back of the bridge. By experimenting with materials and adding over an inch, I noticed a major difference in the sound and playability of the B string; it felt tighter, more focused and notes sounded more clear. Also, the extra tension made it sit better with the other strings, so almost no difference in feel over the whole set.
I did a lot of comparison tests between standard and extra the new extra tension B string (intonation, sound, etc.) This was with a new set of steels, 40 to 125.
I know some manufacturers have a string-through-body option, so I ended up making that modification to the bass. By drilling through the body at a 60 degree angle from one of the existing screw holes near the B itself and coming out the back. The string runs through the body into the bridge through one of the existing screw holes. I don't consider this to weaken the bridge, as the string pulls down anyway (see attached picture).
Although the back part of the job is not finished yet (need to fit a more permanent metal receptacle for the ball end) the result is as I expected from my previous tests.
It may sound a dramatic modification to do to the bass, but to me, it solved the long term B string problem, it really works. I am sure its not something that EB would approve off, but its a shame its not a standard option on the SR5s.
I know some purists will write and say there is nothing wrong with the standard scale length, but I guarantee this modification has improved the B's sound and playability massively.