Although I fall into the catagory of "anyone", trust me...There are 2 things you would need to do. make sure the truss rod is adjusted properly, then lower the saddles.
On the EB website, there's a FAQ for setting up your bass. Rod also gave some useful info.
Here's my paraphrase of Rod's words:
Hold down the first fret with your fretting hand and then the 12th fret with your picking hand's thumb. Check the space between the top of the frets around the 6-8 positions and tap down on those areas with your picking hand's index. That space should be about business card thin.
If it isn't, adjust your truss rod so that it is. On MM basses, insert a small screwdriver into the truss wheel and turn it to towards the G to raise the neck and towards the E to lower the neck.
Once this is done, like Jon said, adjust your saddles.
Hope that helps. Look around in this forum to find Rod's actual post. If he is graceful enough, maybe he'll reiterate himself more properly for you.
I'm curious as to how your procedure will apply to the Bongo. It's 24 frets so I'm wondering if you can still check the relief with the 1st and 12th fret.
>>>>I'm curious as to how your procedure will apply to the Bongo. It's 24 frets so I'm wondering if you can still check the relief with the 1st and 12th fret.
From what I understand, the truss rod has it's major effect on relief at around the 5th or 6th fret and has no effect on the neck past the point of where the neck joins the body.
The 12th fret was suggested to me by a luthier...a convenient starting point. I suppose you could use a capo at the first fret and depress at the body-joint fret. I'd probably go that way, and use a feeler gauge, if wanted a certain measured relief. In fact, I used to do that but found it pointless because wood moves around all the time.
In the end, what I'm doing is to getting the neck straight as I can, initially, and then adding relief to the point of eliminating any fret buzz at the top frets. IMO that's how the truss is to be set up. I'm not relying on measurements to do that. By using the 1st and 12th, I'm just evaluating neck relief.
Everyone goes about it in a different way:
#depress 3rd and 15th and check relief at the mid point.
Gav is so right on...You couldn't get better info! As an employee of EB/MM, I need to ask Gav if I am going to get a good pay raise soon...He seems to know all...see all.
Thanks for the tips and info, Jon and Rod. I always saw truss rods as a way to solve problems with the action. Rod's tips and an article I read today about truss rods in acoustic guitars has shown me otherwise.
Well, I'm glad to know so much. When I get my hands on my next MM bass, I'll give it a good and nice midopa-oriented setup!
I do have a question, but regarding EB bass strings. I left a message in the Strings board, but haven't recieved a reply. I'm sorry for being hasty, but I'm pressed for time on this one.
I got a custom gauge .045 bass g string and really like it. I want to know what's the equivalent of the custom gauge series to the EB Slinky packs, so I can try to buy one set tomorrow. That is, is the custom gauge like the Regular Slinkies, Power, Hybrid, etc.?
Thanks A Lot,
Sam
Edit: Oh yeah, Rod. I've got yet another question. Do you adjust your truss rod with the strings still on tight?