LawDaddy
Well-known member
So me and Miss Nick ended up doing a couple of shows with a young piano player who does early Elton material at a savant level. For example, we do most of the "11-17-70" album, including the jams. Really cool stuff.
Of course, these are some of the prime cuts from the Dee Murray era, and Nicole's first real venture into his catalog. Needless to say, she is really blown away by his ability to maneuver around Elton's inventive and often odd voicings/inversions etc., and yet put such a distinctive stamp on the tunes. Definite change of pace from the Duck Dunn/Stax material we play in my normal band.
Next up, Funeral for a Friend/Love Lies Bleeding.
Anyone else here influenced by Dee?
PS: Of course, Miss Nick is rocking the Big Al; somehow I think if Dee were still alive, a Big Al would be perfect for him. One fretted, one fretless, of course.
Of course, these are some of the prime cuts from the Dee Murray era, and Nicole's first real venture into his catalog. Needless to say, she is really blown away by his ability to maneuver around Elton's inventive and often odd voicings/inversions etc., and yet put such a distinctive stamp on the tunes. Definite change of pace from the Duck Dunn/Stax material we play in my normal band.
Next up, Funeral for a Friend/Love Lies Bleeding.
Anyone else here influenced by Dee?
PS: Of course, Miss Nick is rocking the Big Al; somehow I think if Dee were still alive, a Big Al would be perfect for him. One fretted, one fretless, of course.