• Ernie Ball
  • MusicMan
  • Sterling by MusicMan

edcancel

Member
Joined
Dec 2, 2006
Messages
9
I'm so excited about this, after learning every intro to every song now I'm actually learning the WHOLE song. It's a common mistake for beginners, I'm just happy I learned!!:D

BTW that solo has so many bends!!! It's a killer workout for my fingers!!!:p
 

meenahga

Well-known member
Joined
Feb 14, 2007
Messages
402
Location
Adirondack Mountains, NY
Very nice solo. Some players have incorporated some of the riffs into their own music.

Slash is one. Listen carefully to some of his playing in the G'n'R tune "Patience". One riff in particular comes to mind. Great music.
 

MikeVt

Well-known member
Joined
Apr 1, 2005
Messages
1,663
Location
Vermont
Hey Ed....welcome and congrats.

I just checked out your pics. Is that an OLP JP or a custom job? I don't recognize the bridge or knobs....

Mike
 

Pundix

Well-known member
Joined
Mar 18, 2005
Messages
239
Location
Cleveland, OH
The good thing about a solo like that is it can get you used to new playing ideas. The bad thing is that everyone knows it so well that if you miss anything they know immediately. :D
 

paranoid70

Well-known member
Joined
Feb 9, 2007
Messages
2,647
Location
Long Beach, CA
^^

You are right about that, most fans of that song know the solo pretty well. Same with Comfortably Numb!

Some songs you have to play the solo note for note to do it any kind of justice. That's why I usually avoid playing those songs. ;)
 

John Czajkowski

Well-known member
Joined
Dec 22, 2006
Messages
255
That is such a perfect example of melodic and riff-based ideas that develop into a dramatic story. Have fun!

As far as playing other artist's classic solos note for note, I've heard Shawn Lane do it for Steve Morse's music, so I guess it must be ok sometimes! When we do some covers like Trademark and Cruise Control, I just do the original as well. Many of those solos are composed and the original players do them very similarly night after night. I think it is important just to do things a variety of ways - let some tunes be total free-fall solos while let others be more composed.
 

roburado

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Joined
Jul 18, 2005
Messages
6,089
Location
Commerce, MI
As far as playing other artist's classic solos note for note, I've heard Shawn Lane do it for Steve Morse's music, so I guess it must be ok sometimes! When we do some covers like Trademark and Cruise Control, I just do the original as well. Many of those solos are composed and the original players do them very similarly night after night. I think it is important just to do things a variety of ways - let some tunes be total free-fall solos while let others be more composed.

If only I had the chops and talent to do either... :p Okay. I can play one decent solo note-for-note. Just one.
 

roburado

Well-known member
Joined
Jul 18, 2005
Messages
6,089
Location
Commerce, MI
I can only play the first solo from "Kid Charlemagne." I threw my hands up in despair trying to learn the second one.
 

andynpeters

Well-known member
Joined
Dec 28, 2004
Messages
1,378
Location
Wonderland
Solos I can play....though probably not as well as the original!!

Hound dog (Elvis)
Kid (Pretenders)
Crazy Little thing Called Love(Queen)
Hideaway (Freddie King)
Goodbye To Love (Carpenters)
Heartbreak Hotel (Elvis)
Sharp Dressed Man & Gimme All your Loving (ZZ Top)
Rocking All Over The World (Status Quo)
Alright (Supergrass)

Everything else is just pentatonic bluffing........and no-one ever seems to notice
 
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