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newworldman86

New member
Joined
Mar 2, 2012
Messages
4
Location
Atlanta
Sorry for the wall of text, excited new owner.

First post for me and first Music Man bass. I have been very active with my bass playing lately, and decided it was time to get a 5 string. I have been using a 4 string German Warwick Corvette $$ for a while now. While I do love my Warwick, the lack of a low B has been an issue with the direction both of my bands are going. The Warwick $$ 5 string neck was a bit too big for me, so I decided to try out some Music Man basses, and I am sure glad I did. I notice that on Talkbass when people discuss the Corvette $$, they frequently compare it to the Bongo or Stingray HH. After playing a few Music Man Stingrays locally I decided Music Man was the route to go. Every one I played was easily on level with my Warwick, as far as build quality goes. While I could not locally play a Bongo, I found the Stingray 5 necks to be plenty accessible even with my small hands.

I have been it playing it in all my spare time for the past 2 days. I am amazed by the playability. It is the easiest to play 5 string I have ever laid hands on. I am very impressed by the electronics. It is certainly on par with the Warwick as far as versatility goes, and once I become more proficient with the preamp, probably more versatile. I am amazed how I can emulate a fairly useable P bass, J bass, and Stingray tone. Not 100% accurate, but darn convincing. The best sound I have found is the regular Bongo tone. My favorite so far is 33% neck pup, 77% bridge pickup, EQ flat with the exception of a tiny bump to the bass. That tone kills for my fast finger style runs that I use in my progressive metal band.

Just one question for now. In one band I currently tune my Warwick to D standard, and in the other band to E standard. I found that I had good tension in both tunings with my DR Sunbeam mediums. Will I run into any neck stability issues if I retune my Bongo 3 times a week in this manner? I understand that it currently has Regular Slinky 5s. When I tune to A, I find the A string to be useable, but not as tight as I would prefer. Anyone have any suggestions for strings that would be good for both A and B standard? I am thinking Power Slinkys, but wasn't sure if the increase tension might cause issues with frequent retuning. Am I better off just learning to play my bass parts in B standard to avoid complications?

Thanks to ivbenaplayin for the great Bongo.
New Bongo Day.jpg
 

JayDawg

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Joined
Feb 21, 2010
Messages
1,880
Location
Sterling, Colorado
Very nice, congratulations on the new bass. I know what thread you are talking about over at TB as well because I was one of the many who said go with the Bongo. That Desert Gold is an awesome color too!

With the down tuning, I go back and forth between tuning to 440 or down tuning a full step. I use Ernie Ball Super Slinky's or basically what came on the bass from the factory and they do great. No issues at all and I rarely have to make any adjustments on my necks.
 

Smallmouth_Bass

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Joined
Sep 25, 2007
Messages
1,761
Location
Montreal, Canada
Seeing as you now have a 5-string, I would just learn your parts on the 5 rather than alter the tunings. That's what the 5th string is for, isn't it?

Congrats on the nice bass! Desert Gold is a nice.
 

newworldman86

New member
Joined
Mar 2, 2012
Messages
4
Location
Atlanta
Seeing as you now have a 5-string, I would just learn your parts on the 5 rather than alter the tunings. That's what the 5th string is for, isn't it?

Congrats on the nice bass! Desert Gold is a nice.

I mostly got a 5 for my Jazz group. A good deal of the songs we are doing these days are in Eb, D and C. Given how good the Bongo sounds, I can't justify not using it in my progressive rock band as well. I will just rework the fingerings in B standard. While the fingerings will be a little awkward, I should be able to adapt. My prog rock band has a show next weekend. I will be sure to post the gig pictures.
 

ivbenaplayin

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Joined
Mar 14, 2009
Messages
688
It's True Gold in color... BTW, Welcome to the forum - you're an official Bongoloid now and probably won't look at other basses the same way anymore... Like I said in the email last night, I'd try the Cobalts on it - I'm uber-impressed with them on my Dargie, and they do seem to have a bit more tension than the regular slinkys, but no so much that I've had to tweak the trussrod, and they really sound great. Play it in good health!
 

keko

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Joined
Jun 10, 2009
Messages
2,702
Location
Zagreb, Croatia, EU
Nice score, congrats!

Matches very nice with that Yellow MarkBass rig!

P.S. ...is that MB cabinet model like Randy Jacksons Signature series amp/cab?
 

newworldman86

New member
Joined
Mar 2, 2012
Messages
4
Location
Atlanta
Nice score, congrats!

Matches very nice with that Yellow MarkBass rig!

P.S. ...is that MB cabinet model like Randy Jacksons Signature series amp/cab?

Yeah, that is the Randy Jackson Signature New York 151RJ cabinet. I wanted a smaller cabinet that handled low B really well. I am really in love with that cabinet. While my GK Neo 212 has a little more volume, the Markbass 151RJ is so darned smooth sounding. It is the most even sounding smaller cabinet I have used so far. I originally got it to use for my jazz and blues band, but after using it for my last progressive rock practice, I think I will just sell my GK 212 and just get a second NY 151RJ. My head is just a regular Little Mark III. After having demoed the Randy Jackson head, I think I will get it when I decide to upgrade my head. It is a very nice sounding head, with a very useable compressor built in. I am holding out for the 800 watt version though.
 
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