stu42
Well-known member
Hey...just saw this thread. I saw a photo of a Stealth Unlined Fretless Bongo a while back and started drooling over that. Killer look!! But yeah...honeyburst has a more traditional look...but something about that all black appearance is super cool.
Also...my thought is...don't write off the unlined fretless. Give it a shot first because it's not really that bad once you start playing it. I've written about this before but...I went with unlined because the side dots mark the location where you need to put your fingers whereas on a lined fretless the side dots are in-between the "fret" locations. So, in other words, on a lined fretless you can't really use the side dots as a guide to help you place your fingers; you have to bend your neck forward to look at the fretboard to see the lines - which is okay when you're sitting while playing but not so good when you're standing. Plus, I found using the lines as a guide wasn't really any better - for me anyway - in helping me get a decent intonation because I found I was trying to use my eyes to figure out where I should put my fingers...which was unreliable. In the end, I find the side dots are great as a guide and then I use my ears and muscle memory to really hit the intonation and I personally find it's a better way to go.
That's my two cents anyway. I know this is a topic that has as many people on either side of the fence so go with what works for you but....just saying....don't write off unlined until you've tried it.
Anyway...congrats on a killer bass!!
Also...my thought is...don't write off the unlined fretless. Give it a shot first because it's not really that bad once you start playing it. I've written about this before but...I went with unlined because the side dots mark the location where you need to put your fingers whereas on a lined fretless the side dots are in-between the "fret" locations. So, in other words, on a lined fretless you can't really use the side dots as a guide to help you place your fingers; you have to bend your neck forward to look at the fretboard to see the lines - which is okay when you're sitting while playing but not so good when you're standing. Plus, I found using the lines as a guide wasn't really any better - for me anyway - in helping me get a decent intonation because I found I was trying to use my eyes to figure out where I should put my fingers...which was unreliable. In the end, I find the side dots are great as a guide and then I use my ears and muscle memory to really hit the intonation and I personally find it's a better way to go.
That's my two cents anyway. I know this is a topic that has as many people on either side of the fence so go with what works for you but....just saying....don't write off unlined until you've tried it.
Anyway...congrats on a killer bass!!
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