jazzbo jim
Well-known member
I've been playing most of my life and lately there is something that has been driving me INSANE....
it's the "out of tuneness" of major 3 intervals esapecially when the third is voiced as the chords top voice. Of course, it seems that distortion "amplifies" this effect.
This has forced me to play fourths (AD vs ADF# for example for a D major triad voicing) but it's not always appropriate (a little too Blackmore-esque at times
)
I've been seriously contemplating compensation (like Earvana or Buzz Feiten) buy I'm not entirley sure it will help.
Any suggestions? (besides "take up keyboards" or "give up guitar"
)
Do any of you have the same issues?
Does anyone here use compensation with any degree of success?
Thanks
it's the "out of tuneness" of major 3 intervals esapecially when the third is voiced as the chords top voice. Of course, it seems that distortion "amplifies" this effect.
This has forced me to play fourths (AD vs ADF# for example for a D major triad voicing) but it's not always appropriate (a little too Blackmore-esque at times
I've been seriously contemplating compensation (like Earvana or Buzz Feiten) buy I'm not entirley sure it will help.
Any suggestions? (besides "take up keyboards" or "give up guitar"
Do any of you have the same issues?
Does anyone here use compensation with any degree of success?
Thanks