[video] My dad is just the best

[tristan]

here's the way we play...total improvisation , in jazzy style....2 piezos, He had to use an external fishman preamp to get the same sound from his BM than mine with imy rad red

for the rest...in jazz h'es style the master, I'll always be his disciple...

dans la serie on en apprend tous les jours, aujourdhui, mon patter me met la tatouille en jazz...

http://www.tristanklein.com/videos/fatherandson.wmv

enjoy

 

[fogman]

Very nice Tristan.
That's cool to be able to play with your father.
Nobody in my family is muscially inclined so I'll never has that experience.

Is that a Brian Moore he's playing???

 

[joe web]

absolut fantastic playing!

 

[stevie5150]

Very nice. I enjoyed it. I'd like to learn some stuff like that.

 

[lenny]

I really enjoyed that hes deadly tasteful!!!!! nice job men!

 

[brentrocks]

that is great dude!!!

 

[Junior]

Superb stuff dude!

 

[jazzbo jim]

A REAL son wouldn't let his Dad play a Non-EBMM !!!!

A nice father/Son moment..I know, I've been there!

 

[lumberjack]

Hey Tristan,

Very cool. It's good to see you and your Dad have something in common that you can share. You guys have music, my Dad and I have our fishin' trips. Always enjoy the moments you have with family.

Take it easy,
Scott

 

[Lucidology]

Now "ain't that a blessing"... to be raised in such a truly musical atmosphere... to be able to play (jam) with other family members....and on top of that... for the musical approach also to be on the "hip" side of things...

This video is actually a great teaching tool... besides the comfortable, relaxed, vibe between a father & Son, where the extreme musicality shared by both of them is all-inspiring... this demonstrates two particular aspects of soloing & comping...

1. If soloing with innately musical phrases, one doesn't have to make all the changes in order to sound good (that, in fact, it isn't always necessary...)

2. That Chord "changes" often work as "passing" chords creating sufficient enough tension and release to keep music moving whether are not the soloist acknowledges them in his playing...

Both examples of this in the guitar world, can often be found in:

1. Blues soloists playing over chromatic passing chords yet sticking to the Blues scale no matter what the changes may be...

2. Gypsy jazz virtuosos where chord changes are often ignored by the soloist... but just occasionaly implied (or caught) here and there. ..

3. Or in the wonderful, usually diatonic melodic lines imposed over chromatics by Santana (as we all end up studying Santana's approach at one time or another, just because it sounds good...) Or by other great rock soloists phrasing pentatonics over tunes with chromatic chords (or bass notes) moving behind them...

Thanks Tristan for sharing this with us.... very cool indeed!

 

[darchirnoj]

Very cool!

Wow! Awesome video.
-darchirnoj

 

[tristan]

tx for daddy

 

[ba2m]

cool..

hi tristan,
wow..i've just seen your videos in the web...cool videos , cool songs, cool musics man...mmm...cool distortion & clean sounds too..
what amps and effects setting do you use?

..your father is very very good guitar player....

 

[!Jinkies!]

ruddy brilliant.

tristan, you are amazing.

and your dad is utterly a phenom as well.

much love, to the both of you.

thank you for sharing your gifts.

 

[peat]

beautiful

i love playing with my dad
he was the first to teach me anything on the guitar

 

[SharonG]

Absolutely beautiful - thank you for sharing!

 

[Quarter]

 

[MrHyde]

Absolutely amazing, its so wonderfull to share moments like that with ur dad, i've been there and its completely breath-taking... happy fathers day to u all