Aussie Mark
Well-known member
I just got back today from 3 days at an improvised recording studio in a country farmhouse with a really cool engineer who really digs vintage gear.
It's the middle of winter here, with the temperature at the farmhouse down to just under 30F at night, so we had the fireplace going non stop.
I took a Nash P, the Dark Star P and the Big Al, and as expected, when I mentioned I'd brought 3 basses along, the engineer asked "I hope one of them is a P bass?" I used the Nash on the first four tunes, and then used the Dark Star for two bluesy power trio songs, and by that stage I was feeling comfortable enough with the engineer (and he with me) that I brought out the Big Al for the next song, and ended up using it for the rest of the session. It recorded really nicely - I used my favourite neck + middle + active setting for 3 of the tunes, and the "all buttons off" secret setting for the other.
He recorded me clean direct into an Avalon tube preamp, and after we had a bass track that we were happy with, he would run the clean bass track recording straight into my Ampeg SB-12 absolutely cranked and record that, so he then had a clean track and a dirty tubey track that he can blend in the mix. It sounded really sweet. Although, it's kind of weird to be standing around in the kitchen with the rest of the band having a beer while your isolated, warts and all clean bass track is blaring away in the next room through a distorted tube amp being recorded with a mic.
Here's some pics ...
No noise problems here:
How cool is this place?
The view out the main room window:
The main room:
The SB-12 cranked:
Big Al resting on his laurels:
Drummer at the base of the stairs:
The very cool engineer:
A productive session:
It's the middle of winter here, with the temperature at the farmhouse down to just under 30F at night, so we had the fireplace going non stop.
I took a Nash P, the Dark Star P and the Big Al, and as expected, when I mentioned I'd brought 3 basses along, the engineer asked "I hope one of them is a P bass?" I used the Nash on the first four tunes, and then used the Dark Star for two bluesy power trio songs, and by that stage I was feeling comfortable enough with the engineer (and he with me) that I brought out the Big Al for the next song, and ended up using it for the rest of the session. It recorded really nicely - I used my favourite neck + middle + active setting for 3 of the tunes, and the "all buttons off" secret setting for the other.
He recorded me clean direct into an Avalon tube preamp, and after we had a bass track that we were happy with, he would run the clean bass track recording straight into my Ampeg SB-12 absolutely cranked and record that, so he then had a clean track and a dirty tubey track that he can blend in the mix. It sounded really sweet. Although, it's kind of weird to be standing around in the kitchen with the rest of the band having a beer while your isolated, warts and all clean bass track is blaring away in the next room through a distorted tube amp being recorded with a mic.
Here's some pics ...
No noise problems here:
How cool is this place?
The view out the main room window:
The main room:
The SB-12 cranked:
Big Al resting on his laurels:
Drummer at the base of the stairs:
The very cool engineer:
A productive session:
