roburado
Well-known member
Just wondering about the pickups on the 20th. I love the neck pickup for the clarity that it has and the almost single-coil sound it sometimes gives me. I seem to spend most time with the neck pickup and the middle position.
I guess this could be a question about EBMM guitars in general. What is the starting point when EBMM selects a pickup for a non-signature guitar? For instance, what was the starting point for the 20th? Or, does Dudley, Sterling, and whoever else (i.e., Drew) already have an idea of what they want a pickup to sound like before going to Dimarzio and asking for a pickup? Do they take a stock Dimarzio, drop it in, see what it sounds like, and go to Dimarzio and have them tweak it?
I guess this could be a question about EBMM guitars in general. What is the starting point when EBMM selects a pickup for a non-signature guitar? For instance, what was the starting point for the 20th? Or, does Dudley, Sterling, and whoever else (i.e., Drew) already have an idea of what they want a pickup to sound like before going to Dimarzio and asking for a pickup? Do they take a stock Dimarzio, drop it in, see what it sounds like, and go to Dimarzio and have them tweak it?