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brooklynfall

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Joined
Oct 4, 2006
Messages
166
Location
New York City
For me, the main reason I switched to EBMM from a (admittedly nice) Warwick Thumb 5 was that I got really tired of playing a piece of furniture. I wanted something I could beat the hell out of, something I could make my own whether through "upgrades"/cross-grades (so it had to have more "standard" parts than the Thumb) or through some tough love on stage ...

Bottom line: my upright is my only "boutique" bass these days. Electric basses should be as destroyed as you are at the end of a show. Of course, I play medium-to-loud rock music; YMMV especially if you're Richard Bona or Steve Swallow. For sheer cutting through - the key in loud music - nothing beats my SR5. In fact, if my guitarist in my loudest band wasn't so Fender-obsessed, I'd pick up a four-banger for that band as well.

Maybe I'll pick up another Warwick or other "boutique" bass when I start my solo career (read: never ever again).

:D

On a side note, I do admire companies like Sadowsky and Alleva-Coppolo for taking the Fender idea and making high-quality builds of it. I think that some kinds of music (and musical directors) call for the Fender sound, and having a well-built 5-string Jazz is what the doctor ordered. However, I can safely say that'll never be me, since I'm probably not touring with Stevie Wonder or Christina Aguilera any time soon. On the same token, props to EB and BP for taking Leo's ideas and running with them in a different direction - one that happens to work for me and what I do.

Sorry for the rambling reply; I used to be a boutique man before I saw the light, and I had to get it off my chest. :D
 

cdb

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Joined
Jul 31, 2006
Messages
240
Location
Pennsyltucky
To me a boutique bass is something that's:

- Not widely available (no Sam Ash or GC distribution)
- Has low production numbers
- Is not made on an assembly line basis
- Can be ordered with all sorts of custom options (this is probably the key criterion)
- Costs a couple of body parts to own
- Is usually associated with a particular person/builder/designer

Classic example is Michael Tobias' MTD USA series. He also offers non-boutique basses.

The actual design, wood, etc. aren't really the determining factors IMHO. The high-end Sadowskys are certainly boutique basses IMHO, but they're really little more than J basses done better than F*nd*r does them.


I guess it is telling that I sold my MTD Kingston to finance my SR5. It was a very good bass for the price, however, and served its purpose well. The Ray is a far better instrument, with more tonal flexibility and I love pretty much everything about it. However, I have had my mitts on an MTD made in the USA, and it is a VERY different instrument than the MTD K5 was. Boutique, oh yes, and very well made... but really, guys, I think its ok to have more than one brand of bass in the stable, sacriledge on this board, I know, but...
 

Slim

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Joined
Dec 4, 2006
Messages
126
Location
Illinois near Chicago
I am new to bass since I played 6 string guitar for long time and I had good vintage guitar collection but I sold them all and made pretty good return:D From my experience boutique guitars never became collectors guitar and vintage Fender and Gibson price are sky rocketting now days. From collectors view point I think Musicman basses are the best investment for basses. I had beten up 1977 Stingray and it sold for three times I paid for few years ago:cool:
 

Slim

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Joined
Dec 4, 2006
Messages
126
Location
Illinois near Chicago
Cdb you are funny:D
Give Brook a break he loves his SR5:eek:
SR5 is becoming my main bass also:)
ADOUGLASS I am looking for Bongo5 I like yours any interest in Bongo4:confused:
 
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brooklynfall

Well-known member
Joined
Oct 4, 2006
Messages
166
Location
New York City
Wait a minute.

You let your guitarist dictate what kind bass you play?

:eek:

Yeah, unfortunately. Not like we're a "looks" kind of band, but it's his project. Gotta be a good sideman and do what the boss says. Don't worry, other bands I play with don't give a s*** as long as I show up on time and don't suck! :D
 

Kirby

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Joined
Sep 27, 2006
Messages
1,156
Location
Indiana
The "real" Spectors made by Stuart Spector in New Jersey certainly are "boutique" basses.

I agree totally. I have a couple of these and break them out for 80's shows etc. Mainly they sit in the cases though as my curent bands prefer me to play the EB's which is fine with me! :D
 
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