leftyguitarblue
Well-known member
necks, besides the obvious? I have a maple on order and I was just wondering what to expect as far as tone, feel or whatever. And, what is your preference?Thanks in advance.
In my opinion and experience, maple boards are brighter in tone, snappier, more *pop*. Rosewood is warmer, velvetier, smoother.
Feel wise, I dunno.. I guess maple feels harder, not as in difficult but as in material hardness.
I like 'em both, but lean toward rosewood as a preference.
In my opinion and experience, maple boards are brighter in tone, snappier, more *pop*. Rosewood is warmer, velvetier, smoother.
Feel wise, I dunno.. I guess maple feels harder, not as in difficult but as in material hardness.
I like 'em both, but lean toward rosewood as a preference.
In my opinion and experience, maple boards are brighter in tone, snappier, more *pop*. Rosewood is warmer, velvetier, smoother.
Feel wise, I dunno.. I guess maple feels harder, not as in difficult but as in material hardness.
I like 'em both, but lean toward rosewood as a preference.
I'm pretty much 50-50 on maple and rosewood preference, but the only maple board I can play is a Music Man. I can't stand a finished fretboard.
In my opinion and experience, maple boards are brighter in tone, snappier, more *pop*. Rosewood is warmer, velvetier, smoother.
Feel wise, I dunno.. I guess maple feels harder, not as in difficult but as in material hardness.
I like 'em both ......
maple looks better and feels nicer [/thead]honestly, we can talk about the psychoacoustic tonal differences... but i would bet that if we did a blind listening test nobody would reliably be able to tell the difference (except for maybe eric johnson LOL)... your FINGERS, amp, pickups, effects, etc... will make a much bigger difference in tone than the fretboard wood...
also, there are little differences in the makeup of every single piece of wood, whether it is of the same species or not, so if we want to examine the most minute tonal differences, the reliability of nature to produce the same piece of wood over and over would come into play also... so even though you may measure some particular difference between two pieces of wood (measure scientifically not with the human ear, human perception of the senses can be very misleading), the repeatability of those exact tonal differences makes them sort of irrelevant
obviously people think there are some tonal differences (and there certainly are because of the composition of different pieces of wood)... i simply question the ability of the human sense of hearing to be able to reliably notice and identify these differences accurately
just like the high end audiophile world, blind listening tests are frowned upon because it usually discredits the BS artists and snake oil peddlers
what matters is your own gut personal preference because any real minute differences are pretty much negligible
(my 2 cents)
mine is actually silky smooth (am dlx strat) and i can't say it sticks any.
The more modern strat variants don't have the finish issue that the vintage models do. For me, anything with a gloss fretboard finish is a no-go.