bkrumme
Well-known member
UPS hasn't delivered mine yet from Amazon!!!![]()
That sucks! I got mine a day late (yesterday) and I was a bit upset I hadn't received it yet. Did they ship it yet?
UPS hasn't delivered mine yet from Amazon!!!![]()
Sorry, I meant USPS. They have no record of my tracking #!![]()
So here's my review. I'll try to be constructive
A Nightmare To Remember:
This one starts off on a VERY dark note. It's not something I'm used to hearing from DT. I thought Train of Thought was heavy, but this song eclipses that completely. I see where some people are coming from when they say this album is very "METAL" in comparison to others. I can tell they've taken some influences from bands they've been touring with. I hear elements of Opeth and Between The Buried And Me in this song. I also hear hints of SFAM and 6DOIT in this one. It's much heavier, but the overall style is very close for me. I would have to say this is one of the more experimental songs on the album. It shows the progressive nature of Dream Theater. The reason I say this is because they're using time signatures and rhythms we don't usually hear from them. To some fans this would seem foreign and they may have a negative reaction to it. The lyrics don't leave much interpretation to be done, either. It's very straightforward and seems to be written to attract a more diverse fan base. I think this is why I'm hearing that the lyrics aren't so good.
A Rite Of Passage:
We've all been hearing this one for the last month. It is definitely the most "radio" of all of the songs on the album. It most closely resembles songs from Systematic Chaos. It DOES have some of John Petrucci's most interesting guitar work. This one will disappoint fans who want another IaW. I don't have much to say about this one. It's sort of just a "meh" for me. It's a good song, but it doesn't really draw me in like others on the album.
Wither:
I actually do like this song which I hear isn't the common consensus. I think it's probably more like older Dream Theater than anything else on the album. I liken it to IaW or Awake, just with a more modern approach to both songwriting and tone. The opening specifically reminds me of "Lifting Shadows Off A Dream." The short guitar solo after the decrescendo reminds me of late 80's and early 90's rock and metal solos. This is also the shortest song on the album so it leaves a little lacking content-wise, but I think it would make a perfect candidate for radio play. I could see quite a few fans come from this song were they to get radio play.
The Shattered Fortress:
This is the song I expected so much more from. It's the conclusion of Mike Portnoy's Twelve Step suite and the expectation was high for me. The first 9 "steps" were inspired and had tiny hints of the others which made them seem like a contiguous entity. This one just seems to be a conglomeration of the other songs. The lyrics are slightly different, but the rhythms and melodies are almost spot on from the other songs in the suite. There's a lot of repetition in this one. MP seems to have revisited the other traditions in a reflective manner. I've yet to listen to the suite from start to finish, but I have it ready and will review the suite as well. I have the inclination to believe the intention was to summarize the entire suite with this one song. In doing this, though, MP and DT have left a bit to be desired. I was kind of hoping for an epic, awe-inspiring, jaw-dropping finale and that wasn't really delivered. The one saving grace for me is that the song shows a bit of MP's obsessive, erratic nature. So while it didn't quite stack up as the finale I was expecting, it does give a bit of a window into who MP is and why he does things the way he does.
The Best Of Times:
Dream Theater is doing a LOT of story telling on this album. This song is probably the most straightforward of all the stories on the album. It's a summarization of MP's memories he has of his father who recently passed away. I have recollections of when my father passed when listening to this song and it really hits home. Anyone who has lost a parent or close loved one will understand this song immediately. It's a very heart felt dedication to Mr. Portnoy. Again, the lyrical content is quite simple and straightforward, but understandably so. The absolutely EPIC guitar solo is amazing! It reminds me so much of SFAM. Very expressive and the tone is just so SWEET!
The Count Of Tuscany:
WOW! The story told here gives me chills and the music they tell the story with is reminiscent of every other Dream Theater album. I hear the Rush influence in the intro. From there it goes straight to SFAM-style keys/guitars which I loved so much about that album. This song reminds me that Dream Theater are really good story tellers. I hear this is based on a real experience John Petrucci had. I'd love to know if this is true and see some kind of confirmation. Maybe I'll ask him at the Meet & Greet. The chorus part is catchy as all hell. I listened for the first time last night and have had it stuck in my head ever since. I dreamt about this story. Very surreal for me. This is the Dream Theater I remember making a fan out of me. I've never been in a situation where I thought I was going to die, but when listening to this song I can personalize that sort of situation. This song will definitely go into the history books as one of Dream Theater's best.
I bought the box set, but I didn't get on of the Silver Tickets, but I had already purchased the meet and greet anyway. Row A seat 9!! can't wait for August 7!
So far, I think it's excellent, and I like it more each time I listen. My two gripes are that the lyrics are often terrible and Mike Portnoy needs to quit doing raps and spoken word stuff. If they need a heavy voice, get Mike Akerfeldt to pitch in.
I don't know how much any of you guys use Amazon, but if you use it even somewhat frequently the Amazon Prime membership which costs $75.00 a year is really worth it. It provides you with free UPS 2 day shipping on virtually every item, and a $3.00 per item upgrade if you want UPS 1 day shipping. I also find that quite often the free 2 day shipments show up in one day anyway. I ordered the 3 disc set yesterday with the free 2 day shipping so I don't have to ever touch the Deluxe Box again and it arrived today. I figure I could have just burned it but I figure for $15.99 DT can have my money twice.
That way you always know what day to expect shipment, and always have a tracking number. They always leave the packages for me, so I never get a yellow slip and have to reschedule delivery or pickup. Though I do have a new driver now who's constantly complaining about how many packages I receive. I'd mention to him that he should be happy people are using UPS and helping keep him employed, but I fear my packages would not arrive in good condition anymore.
I've used it for three years now and it's easily paid for itself many times over, especially now that I'm ordering all this baby stuff almost every day.
Anyone else hear that "Bohemian Rhapsody" part of the Wither solo?
This album is up there, for me. I honestly think if A Rite of Passage wasn't on it, I'd like it more!![]()
Overall, I am loving this album - but Rite of Passage is the weakest of the bunch. It's odd that they picked that one to release early. I didn't expect to like the album at all, especially after SC.
Do listen to the suite as a whole. In context of the album I agree with you, it seems a bit out of place. But after having listened to the Twelve Step Suite it makes perfect sense. And I love the final lines of the lyrics.The Shattered Fortress:
This is the song I expected so much more from. It's the conclusion of Mike Portnoy's Twelve Step suite and the expectation was high for me. The first 9 "steps" were inspired and had tiny hints of the others which made them seem like a contiguous entity. This one just seems to be a conglomeration of the other songs. The lyrics are slightly different, but the rhythms and melodies are almost spot on from the other songs in the suite. There's a lot of repetition in this one. MP seems to have revisited the other traditions in a reflective manner. I've yet to listen to the suite from start to finish, but I have it ready and will review the suite as well. I have the inclination to believe the intention was to summarize the entire suite with this one song. In doing this, though, MP and DT have left a bit to be desired. I was kind of hoping for an epic, awe-inspiring, jaw-dropping finale and that wasn't really delivered. The one saving grace for me is that the song shows a bit of MP's obsessive, erratic nature. So while it didn't quite stack up as the finale I was expecting, it does give a bit of a window into who MP is and why he does things the way he does.
Do listen to the suite as a whole. In context of the album I agree with you, it seems a bit out of place. But after having listened to the Twelve Step Suite it makes perfect sense. And I love the final lines of the lyrics.
I don't know what to think of The Count of Tuscany. Musically it's great, the final 9 minutes are epic, but some of the lyrics (especially the spoken bits) are just borderline silly. That's why as DT's epics go I don't think I'll ever like it as much as Change of Seasons, Octavarium or In the Presence of Enemies.
Do listen to the suite as a whole. In context of the album I agree with you, it seems a bit out of place. But after having listened to the Twelve Step Suite it makes perfect sense. And I love the final lines of the lyrics.
I don't know what to think of The Count of Tuscany. Musically it's great, the final 9 minutes are epic, but some of the lyrics (especially the spoken bits) are just borderline silly. That's why as DT's epics go I don't think I'll ever like it as much as Change of Seasons, Octavarium or In the Presence of Enemies.