RaginRog
Well-known member
+1
First point is a problem for me - whenever I play the 5 a big challenge is to stop the B from ringing when I'm not playing it. Planting your thumb firmly on the B and E strings (rather than on the pick up or pickguard) stops this (when playing finger style). For slapping, try using the thumb of your fretting hand to extend over the top of the fretboard and just touch the B string to stop it ringing - unless you really are slapping the B string.
Second point to consider is you can play two octaves from one (and a bit) fretboard positions. I personally tend to use the 5 as a four string with the ability to play odd notes below the E.
Try learning some Stevie Wonder bass parts - a lot are in E flat, which means you can use the B string for the bottom note - Superstition, Higher Ground and I wish are all cool on a 5 because of this.
PS nice to hear from Wazoo againand also Greydad
True...you have to be a very precise player, especially with the narrower string spacing. I have to work on my transition from string to string. The funny thing is, that I do this with ease when I'm not looking at the strings. I have a tendency of fumbling through the transition when I'm actually looking down at them.