I was just thinking about PRS back when "10" tops were first offered - the 10's were just as good as the pre-10's, but the "normal" tops went down a notch.
Then, when PRS offered "artist" tops they were as good as the 10's had been, but now the 10's went down a notch, ...etc.
Is that kind of what EBMM did when they offered the BFR options? Had they really just been sitting on their best woods that whole time? I have a stunning pre-BFR Albert Lee with wood every bit as nice, or better, than most of the BFR's I've seen online. Maybe I was just lucky. But is the wood really that much better as to demand such a high price?
I only have the one EBMM (the best, most comfortable solid-body I've ever played! Yeah, I'm talkin' to you, Fender), so I'm hoping those of you who have both, or more, could chime in.
Then, when PRS offered "artist" tops they were as good as the 10's had been, but now the 10's went down a notch, ...etc.
Is that kind of what EBMM did when they offered the BFR options? Had they really just been sitting on their best woods that whole time? I have a stunning pre-BFR Albert Lee with wood every bit as nice, or better, than most of the BFR's I've seen online. Maybe I was just lucky. But is the wood really that much better as to demand such a high price?
I only have the one EBMM (the best, most comfortable solid-body I've ever played! Yeah, I'm talkin' to you, Fender), so I'm hoping those of you who have both, or more, could chime in.