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Crowyote

Active member
Joined
May 22, 2012
Messages
30
Location
Dallas, TX
So I've really been enjoying my BFR JPX6 so far guys. It's very fun to play has a great tone, and now that I've found a fave tube preamp I'm psyched about it's tone.

But, I've been hearing about the newer models like the JPXI and the JP12, so it has stirred my curiousity.
I'm a classically trained player, so I grew up with thick neck guitars w/ flat boards, but I've adapted over the years to radiused necks.

In the past year, my main go-to hybrid guitar for teaching and performing has been a Godin Multiac Grand Concert which has a 24" radius, and I've grown to love it. It's a bit of shift switching back and forth between the JPX6's 15" radius to the Godin's. However, I've noticed that unlike my old Soloist, that I love the EBMM's consistent radius, yet some techniques and extended bar chords seem like they could be easier to do.

I decided to go to my local platinum store and play their JP12. Unfortunately, they only had the JP12-7 in, so I tried it. It was impossible to gauge a comparision but the neck seemed slightly more comfortable than mine, and the stainless steel frets were very alluring. It was also a pleasurable adventure to explore the 7th strings possibility. On my way home, I actually pass another GC, so I figured "why the hell not?!"

They actually had a JP12 – it was hard to recognize because it almost looked black from a distance. So I requested to play it, plugged it in, but like some many GC guitars I've played this one was screwed up. The guitar would not produce any notes on the 6th string's first three frets, and it buzzed like a banshee when played open.

I decided to bear with it and just try my various bar chord changes. It seems almost negligibly easier to play, and yet there was something indescribably pleasing about the shape of the fretboard (ingrained from years of playing flat necks?!). It was truly hard to compare because the Roasted Maple neck seems so much more massive and substantive than that teensy Mahogany plank.

So I'm wondering if there are any plans for special BFR models in either of these lines (JPXI or JP12) w/ Roasted Maple necks, and wicked colors like Turquoise Pearl?

There wasn't a ton of difference in the playability but maybe just enough to consider a switch.
 

Tanax

Well-known member
Joined
May 22, 2010
Messages
553
Location
Stockholm, Sweden
I have no idea and I doubt they would release that information because that would stall the sales of their current lines.
However, IF they do some special release, I hope they don't do it as a GC-special since that would mean it's a US-special and everyone in EU would miss out(as was the case with the Turqoise Pearl for instance).
 

yellowv03

Well-known member
Joined
Oct 21, 2008
Messages
433
Location
Florida
Even if they did do a different neck wood the profile and thickness would be the same. JP's have two different neck profiles. The old profile used on all JP's before and the JPX and the new thinner profile on the JPXI and JP12.
 

Crowyote

Active member
Joined
May 22, 2012
Messages
30
Location
Dallas, TX
Even if they did do a different neck wood the profile and thickness would be the same. JP's have two different neck profiles. The old profile used on all JP's before and the JPX and the new thinner profile on the JPXI and JP12.

I don't know about that . . . I've played a normal Barolo JPX6 and it felt the same way in comparison to my roasted maple neck. Like a teensy wimpy plank. It was fine for doing sweeps and arpeggios but when it came to big extended chords forget about it, no leverage.

According to CS, the difference is that they are sanded by hand, and someone must have felt like making a very fat neck that day.

I really hope that EBMM reconsiders their exclusive deal w/ GC. 1 out of 2 Music man's that I've played have been screwed up in some way at various different Guitar Centers.

There was something really nice about the JP12 neck, and I look forward to demoing one that's set up right. Maybe it's just that reptile part of my brain that likes shiny things – the stainless frets are like diamonds! – or the fact that the frets are not ridiculously tall, or maybe the flat radius . . . I just think there will be promise in a Roasted Maple model, or even Brazilian Rosewood . . . or Solid Gabon Ebony (add $5,000 to price tag, of course).
 
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