Meypelnek
Well-known member
Yesterday I recorded some slap sound samples, EQ set flat, and compared my Sterling HH, StingRay HH and of course 25th A HH. I know, you should never compare apples and oranges. However, I realized that both, the StingRay and Sterling have more attack and openness compared to the 25th A with EQ set flat.
What I like so much about the the 25th A while playing fingerstyle (the "sound of wood", the slightly emphasized low mids and the slight decay) is what makes it a little difficult for me to find a suitable slap sound that has a little of the brilliance my StingRay brings. In addition I note that the treble knob has not that much effect as I am used to by the 3-Band EQs (therefore we have an additional high mid knob that does a good job).
But what about slap-sounds?
The most reasonable approach for me seems setting the preamp in active mode and parallel - and my best guess is to start with the bridge H. What are your thoughts (and EQ settings)?
Thanks and servus!
What I like so much about the the 25th A while playing fingerstyle (the "sound of wood", the slightly emphasized low mids and the slight decay) is what makes it a little difficult for me to find a suitable slap sound that has a little of the brilliance my StingRay brings. In addition I note that the treble knob has not that much effect as I am used to by the 3-Band EQs (therefore we have an additional high mid knob that does a good job).
But what about slap-sounds?
The most reasonable approach for me seems setting the preamp in active mode and parallel - and my best guess is to start with the bridge H. What are your thoughts (and EQ settings)?
Thanks and servus!