Colin
Well-known member
I love the fact that Dudley and BP have never had an argument. I'm very grateful I had the chance to talk to Dudley one on one and ask all my questions.
I'm continually interested about the relationship between your dad and Leo. I mean, they were contemporaries, mostly. Leo was certainly already established, but Ernie became a sixties icon and made his name and his fortune with something Leo thought was not worth investigating. I mean, at least at the time, Leo kind of gaffed off the entire concept of custom (smaller) string gauges. Did he ever say to you, "Your dad was right"?
It really does fascinate me - as I'm sure it does many others. And - we've talked about this - as bass players, we have to worship at the Leo Altar. Okay, I do. But you knew Leo personally, which gives you some insight into the question - is Dudley Gimpel the modern-day Leo Fender? I think I know what Dudley would say, but what do YOU think, Biff? Isn't Dudley what Leo would have been if Leo had been a player rather than a tinkerer?
Another thing is - and I know the answer to this but you really should explain it for the guys - how much influence did your dad have once you bought Music Man?
I ask because I believed, way back in the dark ages, that your dad rescued Music Man. I'm sure a lot of the forumites think that, too. What happened when Music Man came up for sale? What did you say to your pops and what did he say to you?
Hoo, I have a lot of questions. And not just because I have a big fat file full of your answers, but because I think it's one of the most fascinating periods, ever, for bassists.
the still poking you, sure,
Jackie
I think he is a wonderful man and a true genius. Who knows, maybe I was dead wood?
I have had to deal with people thinkng that I am just lucky body fluid all my life. It goes with the territory. I still get it.
Backstabbing, Dirty Laundry, If it bleeds, it leads. All of these are really easy to get caught up in and personally I try to avoid these situations.
It's undeniable that artist product endorsement draws masses to brands. But it's the quality of the product that keeps them coming back. Ever find yourself saying I need another pair of Air Jordan's
But really the success stories are just like wow.
I liked the "Maybe I'm just dead wood" comment. The word figurehead comes to mind for some reason. Recognizing the importance of branding to carry on the logo and stuff is cool but I think Sterling is only adding to that with his character and actions. It is interesting to me to see how it is playing out.
For me, the clinics given by the artists are far and away the most influential and best advertising I have ever seen. I can easily trace my infatuation with Music Man Guitars to a Steve Morse clinic. Best guitar lesson ever. An hour of Steve's time sold 15 guitars.
Is there anything you could say about these?
How did these come about?
How do the artists feel about them? (Man it would be cool if Luke, Steve, LaRue, or JP chimed in here)
What do you think or are you indifferent?
What would have to happen to have more of these?
There is just alot that I don't know that I don't know here. But it was such a point in my life that I wish I could understand it better.
Uh huh. Dead wood, indeed. I learned quickly enough how involved you are. Most of the forumites, if they're paying attention, realize you aren't just there for sex appeal. Or your culinary skills.
I just like to get you talking about Dudley. He is the ultimate low-key, behind-the-scenes guy. Must be that Minnesota thang he's got going.
And Dan Norton - I wish Dan Norton would give us a "Story of the Month" post. And maybe include pie recipes. (Not scuba adventures.)
Exactly why I asked the question about your dad's involvement with Music Man.
People my age, especially guitar players, considered the name "Ernie Ball" an integral part of our lives. When I was a teenager, there was never any question about what strings went on your guitar. Our practice space was littered with EB string packaging, always.
I think, though, that what transpired with the instruments after 1984 is just as interesting, if not moreso, as what happened early on with the string business.
Jackie
Koogie your stories where great to hear too, makes me think things differently when I read the newspaper.I love these stories and being honored that Big Poppa likes to share these personal stories with us. Thanks.....![]()