How do the anti-tweak knucleheads feel about the game changer? If you think it's cool, why is a broad array of options in the Axe Fx a bad thing?
The comparison is fair IMO because of those who complain that too many options causes them to spend their guitar time tweaking instead of playing.
How does that argument not apply to the AxeFx?Just because you can program the gamechanger, doesn't mean that you have to. I'd imagine that those people would either buy a guitar without it, or just whatever the factory defaults were.
I'm an AxeFX fanboy, but I've heard this kind of thing before and don't believe in doing the hurt feelings because you don't like it as much as me thing.So I guess I should follow up on this...
I borrowed an AxeFx Ultra from a buddy of mine for about three weeks. I spent an inordinate amount of time creating patches, tweaking them, getting patches of the 'net from other people who's tones I liked, etc. I really went through every freaking thing you can ponder, although I will admit I didn't spend a ton of time on the effects. Enough to know they were good and probably on par with my G-Force, although I was mostly interested in it as a preamp.
I also used it for three weeks worth of rehearsals through a Mesa 2:100 and a Mesa 2:90 (both with different tubes, one EL34's and one 6L6's; I'm typically more a fan of EL34's) through my 2 Mesa straight front 4x12's with 30w Celstions.
So at first, I liked it. At practice volume in my jam room at home it sounds good, a little processed, but not too bad. As I was using it in a live situation through a power amp and cabinets, I disabled all of the simulation stuff for speaker cabinets (although I did mess around with that through some FRFR cabinets and it was interesting for sure). The Mark IIC+ turned out to be the sound I kept going back to (no surprise there since I own a Mark IIC+). While it was a good tone at a lower volume, in a live situation it the unit just didn't have the meat or punch or presence of a well-sorted high quality tube amp (which I have). The final day I had it my buddy showed up at the room with my amp (he borrowed mine while I had his AxeFx), a Rivera TBR1-SL, and we had already played the set list once. So I swapped my head back in and play the set list again. Everyone in my band notice a difference right away. Much fuller, thicker, more presence and a much better lead tone.
So after three weeks of rehearsals and (literally) 3 dozen or more hours of working with the thing, I've come to this conclusion:
The AxeFx is a very well thought out piece of gear, definitely the best "modeling" anything I've played with to date. However, if you do own a high quality tube amp (which I consider to be probably less than 5% of the amps on the market), the AxeFx in the end will just not quite sound as good. It just won't have the true feel and meat and vibe of a tube amp. It gets close, but when it comes down to it it's just not there. However, for 95% of the amps out there, this is a definite improvement, but at $2500 it's not as attractive as I'd hoped it would be.
At this point if I used it, it would be only for the effects and it doesn't really do anything in that area that my G-Force doesn't already do.
So in the end, it was fun to play with, but I'll keep my tube amp. It just plain sounds better.![]()