Been about five years since I got my Bongo. It's my second bass--I upgraded from a cheap j-clone, and started taking lessons at the same time, and haven't got another bass since, so I guess I've grown up with this bass. Learnt proper technique and musical skill on it.
Reflections:
This bass sounds REALLY good with its EQ flat, and blended evenly between both pickups. Like that, it got a lovely tone for fingerstyle, slap, and pick. Sounds fat on the low end, cuts through with the mids, has zing for slap and soloing up the fingerboard. I don't think I've ever played with the eq set any other way, except rolling on a bit of piezo to compensate for dead strings. Set it flat, and just worry about the volume. Bloody simple beautiful, and gets plenty of compliments when I play. I'm kinda embarrassed to admit that I've just started to mess with the boosts and cuts to discover all the other tones the bass has.
I'm ambivalent about the B string. It's really nice to be able to octave down and for chording. But it seems (and this may just be me) that the B string has a very different tone from the other strings, especially when slapping, and even more especially as you move up the neck. It ain't a bad tone at all, just different. Don't know if I'd miss it if I didn't have it, though.
Can't really comment on playability, since I learned playability on this bass. Effect is that every other bass feels weird and awkward, not as good as this one.
Planning to buy just one more bass--the Reflex--cause it has the passive option. Then trade my GK MicroBass combo for a MarkBass CMD121p. Should set me for life. For whatever reason, I don't seem to get GAS.
Got to say thanks to BP and the rest of the EBMM crew for making a great instrument. Here's to 50 more years on the Bongo.
Reflections:
This bass sounds REALLY good with its EQ flat, and blended evenly between both pickups. Like that, it got a lovely tone for fingerstyle, slap, and pick. Sounds fat on the low end, cuts through with the mids, has zing for slap and soloing up the fingerboard. I don't think I've ever played with the eq set any other way, except rolling on a bit of piezo to compensate for dead strings. Set it flat, and just worry about the volume. Bloody simple beautiful, and gets plenty of compliments when I play. I'm kinda embarrassed to admit that I've just started to mess with the boosts and cuts to discover all the other tones the bass has.
I'm ambivalent about the B string. It's really nice to be able to octave down and for chording. But it seems (and this may just be me) that the B string has a very different tone from the other strings, especially when slapping, and even more especially as you move up the neck. It ain't a bad tone at all, just different. Don't know if I'd miss it if I didn't have it, though.
Can't really comment on playability, since I learned playability on this bass. Effect is that every other bass feels weird and awkward, not as good as this one.
Planning to buy just one more bass--the Reflex--cause it has the passive option. Then trade my GK MicroBass combo for a MarkBass CMD121p. Should set me for life. For whatever reason, I don't seem to get GAS.
Got to say thanks to BP and the rest of the EBMM crew for making a great instrument. Here's to 50 more years on the Bongo.