b-unit
Well-known member
- Joined
- Mar 10, 2006
- Messages
- 528
So this past weekend, I lucked out and managed to trade another brand of bass that I was never using for a pristine lefty Sterling 4 fretless in one of my absolute favorite EBMM colors, Trans Red. The bass was sporting a set of flats (Chromes) that I was planning to immediately discard...that was until I picked it up and played it!
Holy clams, this thing is a growl machine! All the snarl, growl, punch and fat mids that I could ever want with a set of flatwounds??? I still can't get over it! After playing her for several hours, totally incapable of wiping the smile off my face, I turned to my SR4 fretless which I have to admit, has not received the playtime it deserves.
I have owned the SR4 for a year and have tried, nickle and stainless rounds and have not been able to quite find the tone I am after. I have tweaked the truss rod, messed with the action and pickup height and just wasn't satisfied but could not figure out why.
I adore the sound of Slinky's on my fretted SR4's, SR5's and my Bongo but something just wasn't working on the fretless.
So I slapped a used set of Chromes on the SR4 that I had lying around, and just like the Sterling, I am in love! There is growl and mid punch, yet no lack of clarity. The two bases do not sound the same however. With all eq controls set flat, and a similar setup, the fretless Stingray has a hotter signal, more pronounced lows and a seems to have a bit less mid punch on the G string notes.
The Sterling has a quieter signal, less low end but the sweetest growling mid range tone I have ever been able to coax from a fretless bass. Dialing in more mids only makes it sweeter and adding a bit of low end really balances things out and brings up the output.
The Ray's mid punch is nicely enhanced with a bit of a boost from the mid knob but the bass has less growl and a lot more low end then the Sterling. The playability with the flats is fantastic on both basses and I cannot put them down. I keep switching between them and am just amazed that I never considered flatwounds on a fretless before. I expected to have no growl and no bloom in the notes but its all there in spades, especially with the Sterling.
I have never owned a Sterling before and am so impressed with everything about it. I always gravitated to the Stingray and admittedly dismissed the Sterling as a smaller less "manly" bass which was of course ridiculously silly.
Here's a pic of the new Sterling and a quick shot of my arsenal of lefty Balls! Single H all the way!
Holy clams, this thing is a growl machine! All the snarl, growl, punch and fat mids that I could ever want with a set of flatwounds??? I still can't get over it! After playing her for several hours, totally incapable of wiping the smile off my face, I turned to my SR4 fretless which I have to admit, has not received the playtime it deserves.
I have owned the SR4 for a year and have tried, nickle and stainless rounds and have not been able to quite find the tone I am after. I have tweaked the truss rod, messed with the action and pickup height and just wasn't satisfied but could not figure out why.
I adore the sound of Slinky's on my fretted SR4's, SR5's and my Bongo but something just wasn't working on the fretless.
So I slapped a used set of Chromes on the SR4 that I had lying around, and just like the Sterling, I am in love! There is growl and mid punch, yet no lack of clarity. The two bases do not sound the same however. With all eq controls set flat, and a similar setup, the fretless Stingray has a hotter signal, more pronounced lows and a seems to have a bit less mid punch on the G string notes.
The Sterling has a quieter signal, less low end but the sweetest growling mid range tone I have ever been able to coax from a fretless bass. Dialing in more mids only makes it sweeter and adding a bit of low end really balances things out and brings up the output.
The Ray's mid punch is nicely enhanced with a bit of a boost from the mid knob but the bass has less growl and a lot more low end then the Sterling. The playability with the flats is fantastic on both basses and I cannot put them down. I keep switching between them and am just amazed that I never considered flatwounds on a fretless before. I expected to have no growl and no bloom in the notes but its all there in spades, especially with the Sterling.
I have never owned a Sterling before and am so impressed with everything about it. I always gravitated to the Stingray and admittedly dismissed the Sterling as a smaller less "manly" bass which was of course ridiculously silly.
Here's a pic of the new Sterling and a quick shot of my arsenal of lefty Balls! Single H all the way!

