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Roubster

Well-known member
Joined
Aug 20, 2005
Messages
2,639
Location
Crooklyn, NY
So I have been basically ripping my Silhouette apart last night and tonight.

First off, the damn weather made the Silo buzz MAINLY on the 9th fret, so I was thinking of how to fix it, and I got some strange idea that SHIMMING it would fix it.

Mind you I have NEVER done any shimming before and only read about it on THIS awesome forum of course. So I took the neck off of the Silo, which I have never really done, and did not know wether there is a right way or wrong way to do it.

Anyway, I took that off and put in a pick the thinness (width/ thicknes/ WHATEVER) of a credit card. So that's where I became paranoid not knowing how the neck is going to go back in the pocket and wether I'm gonna break the neck doing the process or whatever.

Well it went in just fine and all, and when that was done it felt weird already having the whole neck tilting backwards. Of course I had to raise the saddles like CRAZY in order to be able to play a note, but it looked funny already so high.

So as I was setting it up and got to the finish line, there was NO difference in action or ANYTHING playability wise, except I did notice the tone was a little bit thinner VERY SLIGHTLY, and of course the saddles were incredibly high and such.

So basically I found out that doing this was COMPLETELY pointless and a waste of time, so couple of hours back tonight, I decided to take that stupid pick out and leave it as it was before.

I took that crap out and did an AMAZING set up. I did EVERYTHING on it, from intonation, GOOD action, good relief, and adjustment of the springs in the rem cavity. This was by far the most succesfull set up I have ever done and also RECIEVED. There almost NO buzzing now on the fretboard, and the action is a tiny bit over 1/16 on low E and a bit under 1/16 on high E. The trem works very smooth now since there isnt SO much tension on the claw, and everything is PEACHY :D :D .

So this was my experience, and I thought I had to share it RIGHT after I finished doing this couple hours ago, because I am just so damn excited like a little kid on his B-day :D :D .
 

Roubster

Well-known member
Joined
Aug 20, 2005
Messages
2,639
Location
Crooklyn, NY
Yea it's definatly a good feeling, and I love the effects of a good set-up. It feels so good and superior to a poor set up opf course. The other AWESMOE thing is not having to pay some stranger 85$ to do something you're not sure if you're gonna like or WHAT they are doing anyway. Maybe they do some spit shining in the back and you wouldnt really know.

And yes Pete, I cant wait to get that Luke. I think this is going to be an AWESOME pair of Balls, and plus I'll have another chance to set up the Luke to 10's when it comes. Any word on it yet :D ?:p :)
 

Dakine

Well-known member
Joined
Jan 24, 2006
Messages
179
Location
Texas-UK
Good Job INDEED!

I have not tackled this myself yet.
The only guitar that has needed work was my Gibson Les Paul and it needed a little fret work so gave it to a Luthier (I was/am NOT about to take a file to a Les Paul at this point lol. Funny thing is I am moving back to UK this summer and the Luthier, "Ron Pace" who was with Robin guitars for years , and I were talking (about how darn busy he is, almost offered me to be his trainee :( bummer, would love to be trained as a Luthier).
My Jackson is with him now but thats for a total re-finish (bout it dead cheap but needs a refin as it is "natural" and deserves to be back to new).
As for my EB's, well nothing is required! They are PERFECT as is right now :)
Well cept for two small "nicks" on the one which I am having HELL matching paint wise. Have tried enamel modelling paint (mixing it,adding flake to the paint etc.) but to no avail. thus far. No biggy, she is "battle scarred" and will therefore probably get played more with less fear of damage :)
 

NorM

Well-known member
Joined
Apr 18, 2003
Messages
4,177
Location
Tucson
Setups are so much fun to do cause it's a labor of love for me. There is still a lot of art involved. My best playing guitars are the ones that I put back together from a box of parts and of course the one that jon did. Keith's guitar played only slighty worse.
 
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