tunaman4u2
Well-known member
I''ll let you know Madbassplaya
The deal is back on so its the HHp. Now its flats or rounds? HA!
The deal is back on so its the HHp. Now its flats or rounds? HA!
I''ll let you know Madbassplaya
The deal is back on so its the HHp. Now its flats or rounds? HA!
I have owned two Bongo 4HH's and I've played an H. I prefer the H. Point and shoot is better for me. The preamp on these is very powerful and too much knob twiddling gets me in trouble. With the single H, the pickup is in the sweet spot too.
Freddels: What type of music are you playing & what are you aiming for? If you needed more WARMTH would you go H or HH?
Just my opinion again but...my main gig is playing in a Church band as well and the Single H Bongo definitely fits in well. Personally, I love the sound of the Single H but just as importantly is the fact that the sound guy really loves the way it fits in the mix and prefers it to the sound of the HS I had previously. The HS (and HH) can produce a deeper bass sound but I found that it got lost in the mix more - although it does sound really cool in person.
Anyway...your mileage may vary etc, etc as with all these types of things. I just wanted to make sure you're not getting the idea that it's a one trick pony and only good for rock. Yes, it is great for rock too but it's suitability for different settings probably comes down more to your playing than the instrument itself. For instance, I was watching a concert of Michael Buble playing at Madison Square Gardens and the bass player was playing a SR5 H - which is probably not the type of bass you'd expect to see in that setting but it sounded perfect in the mix. So, you can't really pigeon hole these instruments.
With the single H, I feel like I get more useable tones out of my Bongo than the HHs I've had in the past. I get a wide variety of tones from simply moving my right hand. If I thump from the neck area, it's thick tubby tones. Move my fingers to the front of the PU, warm richness oozes. Then to the back of the PU toward the bridge, it cuts like a knife. Grab a pick (gasp) and it's a ripper. I never have to flip a switch to change tones at gigs, I just move my right hand. Single H Bongos rule my world... But like Stu42 said, you mileage may vary.
I feel your pain!!I've been there!!!
WWSD....what would Sterling do?![]()
I feel your pain!!I've been there!!!
WWSD....what would Sterling do?![]()
73jbass is selling me his Bongo HHp Cabernet 5.
So the bridge p\u is in the sweet spot for the Sterling HH but not the Bongo HH? Interesting.
If I were advising Madbassplaya I'd be telling him to get a Sterling HH for the sweet spot & the variety... why would you recommend he get the Bongo over the Sterling\Stingray?
I'm actually glad you wrote that... different is EXACTLY what I'm looking for. Ceramic, alinco, neo pickups? A little variety
My stable will be a Bongo 5 HHp, Sterling HH, Fender P MIA standard. The next bass will most likely be a MIA Deluxe Jazz or a Big Al 4.
I like different
You mean you don't have a Stingray- I read what you said about your
SR5s seriously it ain't a one trick pony - I'd recommend you try a Classic 4 or 5 string - beautiful looking and feeling basses and the 2 band EQ is really great - the comments in this thread about the Bongo H's versatility based on moving hand position covers the Ray also - changes the whole character or the tone but fundamentally the Classic is a great bass. I tend to use mine as my go to bass.