candid_x
Well-known member
- Joined
- Jun 26, 2006
- Messages
- 3,272
I’ve never been a fan of any trem setup, as I do a fair amount of chord bending and want the tuning to be rock solid. I either spring them down tight or block it entirely with wood inside the trem cavity. For this reason, when possible, I’d always order a guitar with a hard-tail bridge. In this last year I’ve rethought that, and have come up with another conclusion, as it applies to my playing, feel and sound.
I settled on a trem set up on my first SS, because it was available at a price I could swing. A little later on, I purchased an Axis Sport hard-tail, and I noticed something interesting: I could use heavier gauge strings on the term set up, and still make the bends, vibrato and such, that I could on a hard-tail with lighter strings.
Then, I noticed something else: the trem system, which I had previously accused as being a tone-robbing accessory, lent my tone a character which I could not get from a hard-tail (remember that I’ve had several, not just basing this on these two guitars), a tone which to my ears was more “bluesy, bendy and sustainy”. I’m sure that much of this has to do with the trem-block itself, what it’s made of, how it’s designed. Apparently, EBMM makes a great trem block. As for bendy, I wonder if a string is longer or shorter through a trem?
Then, I recalled how Clapton blocked his trems, while I’m sure he could have had a hard-tail made up for any guitar his famous heart desired. I dunno, maybe it was all just binizz.
What are your experiences with this?
Bruce
I settled on a trem set up on my first SS, because it was available at a price I could swing. A little later on, I purchased an Axis Sport hard-tail, and I noticed something interesting: I could use heavier gauge strings on the term set up, and still make the bends, vibrato and such, that I could on a hard-tail with lighter strings.
Then, I noticed something else: the trem system, which I had previously accused as being a tone-robbing accessory, lent my tone a character which I could not get from a hard-tail (remember that I’ve had several, not just basing this on these two guitars), a tone which to my ears was more “bluesy, bendy and sustainy”. I’m sure that much of this has to do with the trem-block itself, what it’s made of, how it’s designed. Apparently, EBMM makes a great trem block. As for bendy, I wonder if a string is longer or shorter through a trem?
Then, I recalled how Clapton blocked his trems, while I’m sure he could have had a hard-tail made up for any guitar his famous heart desired. I dunno, maybe it was all just binizz.
What are your experiences with this?
Bruce