Meedleyx10
Well-known member
- Joined
- Apr 22, 2007
- Messages
- 132
Hey guys, I've been lurking this forum without registering for a while now. I figured I wasn't worthy since I don't own an EB (yet!). I'm full time music student at McNally Smith College of Music in St. Paul, MN and have been playing since I was 12 or so. I play pretty much anything and everything. I'm mostly into prog-rock/metal and fusion. I play a lot of jazz, a fair amount of country, some pop, and this past year I've really been doing a lot of classical stuff. I still do a some original stuff too (some instrumental stuff, some stuff for various bands I'm involved in). BasicallyI'm ultimately planning on doing session/touring work for a living, but I also want to get into teaching. Basically I like to dip my fingers in any and all things involving playing guitar, and it's even better when I'm getting paid to do so!
Anyway, to get to the point, I'm planning joining the lucky group of people who are fortunate enough to own EBMM's....hopefully sometime before the end of the year. I've pretty much got my heart set on a Silhouette special (HSS, carbon blue pearl, white peraloid pickguard, maple fingerboard, non matching headstock, possibly a piezo). I'd basically be getting it to cover my strat sounds but it would also be my all-around main gigging axe. I've played a few silhouttes in the past at different stores, but that's pretty much the extent of my experience with them, so I have a few questions about it:
-Recent ones I've seen either don't have birdseye fretboards or the birdseye just isn't pronounced. Are they not doing the birdseye anymore or is it just a hit-or-miss kind of thing?
-How are the trems? I never use them for anything more than some subtle vibrato and a very occasional dive, so as long as it can handle that kind of use I'll be happy.
-Does anyone have pictures of a piezo equipped silhouette? I've never seen one and would like to see what the control layout is.
-How stable are the necks? I love the feel of the unfinished necks (best necks I've ever felt!), but I imagine that being unfinished also leaves it subject to climate changes and such. I'm going to be playing on cruise ships for a while traveling all over the place, so consistency and reliability is key. I also travel from time to time between the east coast (humid) and where I live in Montana (the polar opposite of humid). I know all guitars have at least some kind of reaction to such drastic climate changes. I just want to make sure I don't open my case one day in the middle of a 2 month gig at sea only to find a pretzel-shaped piece of wood growing out of the neck pocket on my guitar.
-What year did EB first start using the compensated nut? I might end up buying used, in which case I want to make sure I get one new enough to have the compensated nut.
I think that pretty much covers the big stuff I was curious about, but i guess I know where to come if I can think of anything else! Thanks in advance for any help you can give!
Anyway, to get to the point, I'm planning joining the lucky group of people who are fortunate enough to own EBMM's....hopefully sometime before the end of the year. I've pretty much got my heart set on a Silhouette special (HSS, carbon blue pearl, white peraloid pickguard, maple fingerboard, non matching headstock, possibly a piezo). I'd basically be getting it to cover my strat sounds but it would also be my all-around main gigging axe. I've played a few silhouttes in the past at different stores, but that's pretty much the extent of my experience with them, so I have a few questions about it:
-Recent ones I've seen either don't have birdseye fretboards or the birdseye just isn't pronounced. Are they not doing the birdseye anymore or is it just a hit-or-miss kind of thing?
-How are the trems? I never use them for anything more than some subtle vibrato and a very occasional dive, so as long as it can handle that kind of use I'll be happy.
-Does anyone have pictures of a piezo equipped silhouette? I've never seen one and would like to see what the control layout is.
-How stable are the necks? I love the feel of the unfinished necks (best necks I've ever felt!), but I imagine that being unfinished also leaves it subject to climate changes and such. I'm going to be playing on cruise ships for a while traveling all over the place, so consistency and reliability is key. I also travel from time to time between the east coast (humid) and where I live in Montana (the polar opposite of humid). I know all guitars have at least some kind of reaction to such drastic climate changes. I just want to make sure I don't open my case one day in the middle of a 2 month gig at sea only to find a pretzel-shaped piece of wood growing out of the neck pocket on my guitar.
-What year did EB first start using the compensated nut? I might end up buying used, in which case I want to make sure I get one new enough to have the compensated nut.
I think that pretty much covers the big stuff I was curious about, but i guess I know where to come if I can think of anything else! Thanks in advance for any help you can give!