Brian G
Well-known member
I'm hoping for some very specific, detailed info from experienced users of Silhouette Specials, and ideally also experience with good Strats.
Firstly, let me say I'm an MM fan. Not at the exclusion of other guitars, but I certainly appreciate the brand, the value, and the consistent quality.
I've come to the conclusion that I'm really not a humbucker guy. I prefer clean and edge of breakup, through to greasy, bluesy type tones. The guitars that I keep coming back to are my ASS with Fralin P90's, RW fretboard, and my CS Strat (alder, maple 'board).
Every so often, I read opinions here that the Silhouette Special is it's own thing, doesn't sound like a Strat, etc. etc. What keeps it from going there, and what exactly does this mean? What I'm looking for is another guitar that can reach into the best places a fine example of a Strat can get to - think SRV's Lenny, Hendrix' cleaner tones, probably too many good examples to list. Open, glistening, harmonically alive, but with warmth. Vintage thru late '60's would probably be an accurate characterization.
Could be a Silhouette, or also an AL, but only if the AL has advantages in this direction. I wouldn't mind if this next guitar was a MusicMan, but it doesn't have to be.
Can anyone provide detailed observations of how a Silhouette (or an AL)would deviate from this? Respectfully, comments that don't describe specific details aren't helpful - please be descriptive.
If it's the pickups / electronics that gives the Silhouette or the AL a personality that's different than a great Strat, (more "modern", whatever that means?) I would like to know, and I might then try out the stock, knowing that if I change to aftermarket pickups, I can get to where I want to be.
Thanks in advance for any assistance, lads.
Brian
Firstly, let me say I'm an MM fan. Not at the exclusion of other guitars, but I certainly appreciate the brand, the value, and the consistent quality.
I've come to the conclusion that I'm really not a humbucker guy. I prefer clean and edge of breakup, through to greasy, bluesy type tones. The guitars that I keep coming back to are my ASS with Fralin P90's, RW fretboard, and my CS Strat (alder, maple 'board).
Every so often, I read opinions here that the Silhouette Special is it's own thing, doesn't sound like a Strat, etc. etc. What keeps it from going there, and what exactly does this mean? What I'm looking for is another guitar that can reach into the best places a fine example of a Strat can get to - think SRV's Lenny, Hendrix' cleaner tones, probably too many good examples to list. Open, glistening, harmonically alive, but with warmth. Vintage thru late '60's would probably be an accurate characterization.
Could be a Silhouette, or also an AL, but only if the AL has advantages in this direction. I wouldn't mind if this next guitar was a MusicMan, but it doesn't have to be.
Can anyone provide detailed observations of how a Silhouette (or an AL)would deviate from this? Respectfully, comments that don't describe specific details aren't helpful - please be descriptive.
If it's the pickups / electronics that gives the Silhouette or the AL a personality that's different than a great Strat, (more "modern", whatever that means?) I would like to know, and I might then try out the stock, knowing that if I change to aftermarket pickups, I can get to where I want to be.
Thanks in advance for any assistance, lads.
Brian