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PeteDuBaldo

Well-known member
Joined
Jul 16, 2004
Messages
10,206
Location
Central Connecticut (Manchester) USA
These two are 4 years apart and both all original. The one on the left ('69) came in for a restring and cons, and Wed night at band practice my bass player brought in his father's '73 for a restring and repair under the pickguard.



1969 Martin D-35 Brazilian Rosewood (left), 1973 Martin D-35 Indian Rosewood (right)
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I tossed on a set of the EB phosphor bronze strings 11-52 (#2148) and after playing them I had to snap a few pics. These guitars are rare enough, but to get two of them in the store at the same time and to be able to play them both side-by-side was a real treat. The EB strings really woke these guitars up - they sounded big to begin with, but the news strings really rounded out the tone and they sound flat out huge. Each has its own distinct sound compared to the other, but the sheer volume and tonal balance of both is downright stunning.

I wish I could keep them!
 

Jack FFR1846

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Joined
Feb 17, 2008
Messages
2,176
Location
Hopkinton, MA
I can't see where you've plugged them into the amp. I guess you're using a digital wireless transmitter inside the guitar body......right?


:lol:
 

straycat113

Well-known member
Joined
Aug 17, 2009
Messages
2,506
Location
Born and bred in Brooklyn NY
I can really appreciate those honeys Pete, as I probably play more acoustic in the house than electric. I still have my older sisters 77 Takamine F360S lawsuit acoustic I swiped from her back in my teens that is a ripoff of a Martin that has been the only acoustic I never let go of as it just sounds so good. I used to go to Sam Ash and hang in the acoustic room, and boy you play a certain Martin or Taylor you sound like you are in the Garden, and can hear why the 3 or 4K ticker is justified.I sure as hell can understand you wishing you could keep them.
 
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