• Ernie Ball
  • MusicMan
  • Sterling by MusicMan

SugarMaple

Well-known member
Joined
May 16, 2007
Messages
52
Location
Central Illinois
I might be overthinking this, and likely am misunderstanding something... but I tried a Search for a similar question and didn't find anything, so I'll ask.

I have a Sterling 4 HS that I absolutely love. Best bass I've ever had. I don't understand how the pickups combine for sound in position #3, though. (I also have a few Stingrays, but the question is this one Sterling setting). I know what the bass sounds like, obviously, I'm just trying to wrap my head around how the thing is working.

The Sterling HS Bass Control Diagram lists the position #3 as:

1+3&2
where + is series and & is parallel

I'm trying to think of this in terms of the normal H pickups, ie. (1+2) for Sterling, and (1&2) for Stingray.

Does the position #3 notation mean:

a. (1+3) & (2)

or

b. (1) + (3&2)

???

Which would give a little stronger "emphasis" to 2 (scenario a) or 1 (scenario b) by my logic.

Or... am I overthinking it and all 3 pickups have equal emphasis.

Sorry for any confusion I may be causing, just trying to understand my bass better!! Extra apologies if this has been asked before and/or better, and I just couldn't find it.
 

Meypelnek

Well-known member
Joined
Oct 17, 2013
Messages
156
Location
Munich, Germany
Funny, a couple of years ago I asked exactly the same question. Never received any response. Thus I can only guess that Option (b) applies.

I play an HH Sterling nowadays and have looked into the wiring in the electronic cavity for quite a while (once had the intention to rewire Position 1 to 1&2 as opposed to 1+2 - it won't work!). In case of the HH Position 3 is certainly (1&3) + (2&4).
Hope that helps.

Edit: +/& !!!
 
Last edited:

SugarMaple

Well-known member
Joined
May 16, 2007
Messages
52
Location
Central Illinois
Yes, that helps. It's good to know that I'm not the only one who's wondered that, too.

In my previous band, I used position #1 exclusively and just loved the aggressive growl. In my new band, position #1 doesn't sit as well in the mix. I've switched to position #4, which has worked pretty well. I hadn't ever spent much time playing position #3 until last night, but I might give that a go for a set at our next gig and see how it goes. You never know until you do it for real, I guess. Just trying to understand #3's function better. It sounds closer to my Stingrays than the other settings, which might be good for the new band. The neck is paradise, just trying to adjust the sound...
 

Meypelnek

Well-known member
Joined
Oct 17, 2013
Messages
156
Location
Munich, Germany
I have to admit it took me two years to find the courage and play Position #1 with the Mids cut 90% (I still don't dare to cut them 100%) :D This comes close to what I consider "more Stingrayish" while playing in a band context.

I agree that Position 4 (very similar on HS and HH) is a great and go-for-it sound. It is my favorite besides #1. All coils enganged can sound a "little too much" if you have played #1 or any #4 instantly before it. But if you grab the bass with "naive" ears (i.e. having not played/heard another bass for a while) it is a killer sound. (Does that make sense?) Always reminds a bit of boutique basses ...
 

SugarMaple

Well-known member
Joined
May 16, 2007
Messages
52
Location
Central Illinois
Yes, you are absolutely right about the "naïve ears" phenomenon. I just finished playing for a couple of hours. I started with Position #3, and it was good... very smooth, very balanced.

After about an hour, I tried Position #1 again... and immediately realized why it is my favorite and I love it so much. The bass came alive and was snarling again.

What works in the practice room isn't always best with the band going full-tilt-boogie, though. Position #4 works better than #1 in my new band. I'll give #3 a go and see if it can knock out #4, but I doubt it.

If anybody has any other insights on the function of the pickups in Position #3, I'd love to hear them. Thanks!
 

bvdrummer

Well-known member
Joined
Aug 7, 2014
Messages
91
Location
The OC
I think you've asked the question backwards. It's 1&3+2, where + is series and & is parallel.

Anyway, I'm pretty sure the answer is (1&3) + 2. I've done some work on my Sterling HS and the leads from coils 1 and 3 join at the same input to the circuit board (thus they are in parallel before going into the board). Coil 2 plugs into a different spot on the PCB. Now, I have not figured out how the board takes two signals and combines them in series. But I have deduced that whatever signal goes into the yellow input on the PCB is wired in series with whatever goes into the white input. Check out my old thread:

http://forums.ernieball.com/music-man-basses/60413-sterling-hs-wiring-mod-coils-1-3-parallel.html

Edit: I also pretty much just use positions 1, 3 and 4. 1 for my agressive tone, 3 is the most full, and 4 for a P-esque tone. Even after my mod, I still don't use position 2 :rolleyes:
 
Last edited:

SugarMaple

Well-known member
Joined
May 16, 2007
Messages
52
Location
Central Illinois
Thanks, bvdrummer, that was an interesting read. I've never been under the hood of my Sterling HS, just string changes and occasional slight tweak of the trussrod wheel, but that was interesting. I pulled the 1+3&2 from the MusicMan website (the Sterling HS Bass Control Function Diagram).

Yeah, my favorites are similar... mostly. 1 is my aggressive tone, 4 is my deeper voice (I like your description P-esque). I actually do use Position #2 - the thinner tone is perfect for when I'm playing on headphones learning a song along with a recording, to help zero in on the recording's bassline with a minimum of overtones/fatness of tone. Position #3 I have not used much, partly (as weird as it seems) because I wasn't sure how the pickups worked together. Position #5 might come into play for an Acoustic Night or something, but I haven't used it much either.

Thanks for the info, I love my Sterling HS. Perfect neck, perfect bass, even my favorite MM finish ever - Trans Gold. Fun to discuss and learn a little, too.
 
Top Bottom