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tunaman4u2

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Joined
May 22, 2011
Messages
1,013
Location
Boston
So I gave my Sterling a huge A/B vs another bass tonight (Night life isn't the same after a newborn, ha ha ha)

I'm playing with the "other" bass for a good hour, using all the settings & I find its "best" tone... so I pick up the Sterling HH to see if I can mimic it

Solo the bridge, cut the lows, boost the mids, boost the treble.... super in your face, not a setting I would gravitate towards normally but it nailed the "other" bass dead on

So whats the point? I feel like picking up other basses just to have some more tonal options... but the reality is that the Sterling HH can get SO many tones that maybe you don't think it can at first. When I first saw this "other" bass I was like wow, thats a different tone, cool... but I had it the whole time

On the flip side, my Bongo & Sterling dont really cross paths, theres just something different about a lot of the tones.
 

five7

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Joined
Nov 24, 2008
Messages
4,296
Already missing my sterling 5HS, need to find another one but with a rosewood board. You are right about the bongo and sterling not crossing paths!
 

tunaman4u2

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Joined
May 22, 2011
Messages
1,013
Location
Boston
Sterling owners? Whats the word?

I'll tell you what the word is... after trying bass after bass... the Sterling HH has destroyed them all. I'm selling off other stuff because whenever I go to play anything else but the Sterling HH its a downgrade, when I'm at a gig... I don't want to downgrade

The only upgrade I see... would be a Reflex HH but alas, not available with a sterling neck & my arthritic hands are beat!

BTW: Sterling & Big Al... matter of preference, pretty equal. Big Al can so sounds the Sterling can't & vice versa. I'd take either one over EVERY 4 string Sterling sized neck bass.
 

phat5

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Joined
Nov 28, 2007
Messages
225
Location
From Santa Cruz Ca to North Liberty Iowa
Diggin' on my recent addition, a Sterling 5HH w/a mapel neck in gunstock oil. Really interested to see how this one sits in the mix. Traded my Bongo 5HH for this one.......although the Bongo was a tone monster, it seems that it's a bit more polite sounding than the Sterling. I'm guessin' that the ceramic pups wired in series with a 5 way switch, is more to my liking. My BIGGEST bitch about the Sterling, is the weight.......Small bodied bass weighing in at 10.5#'s......when I was told it was about 9-9.5#'s. Funny thing, the weight isn't that bad, the Sterling is better balanced than the 9+ lb Bongo I traded. Seems easier on my shoulder.
 

mindwell

Member
Joined
Feb 18, 2012
Messages
7
Location
Wichita, KS
I'm happy to be back in the category of those who own an EBMM bass! Should have got this Sterling 5 a LONG time ago.

Back in the late 1990's - early 2000's I played a Stingray 5, and made a record with it. Loved the neck, but didn't find the sound quite worked for my fingerstyle needs. Still, sounded great: here it is, on a record I got to make with Queensryche singer Geoff Tate. Song has upright in verses, EBMM SR 5 in choruses.

And here is the new one! 2008 EBMM Sterling 5, with me noodling my living room. LOVE this bass; tiny nut width, beautiful neck grain, punchy as heck. So happy to be back in the EBMM fold!
 

mindwell

Member
Joined
Feb 18, 2012
Messages
7
Location
Wichita, KS
Great demo and wow, beautiful bass.

laneline and JL, thanks for the welcome and compliments! Much obliged.

Got to play the bass at practice tonight, and it killed! Really fits my physique and hands nicely. And yeah, it is gorgeous. I found it on Gbase, and when I saw the pics of the finish and the neck grain, my jaw about hit the floor. For the time being, they still have the pics up here. I'm a huge fan of straight, tight, neck grain, and this one almost looks quarter-sawn. Even more beautiful in person. So glad I pulled the trigger; she's a keeper! And at 9 lbs 12 oz, not bad at all.
 
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