tunaman4u2
Well-known member
So I gave my Sterling a huge A/B vs another bass tonight (Night life isn't the same after a newborn, ha ha ha)
I'm playing with the "other" bass for a good hour, using all the settings & I find its "best" tone... so I pick up the Sterling HH to see if I can mimic it
Solo the bridge, cut the lows, boost the mids, boost the treble.... super in your face, not a setting I would gravitate towards normally but it nailed the "other" bass dead on
So whats the point? I feel like picking up other basses just to have some more tonal options... but the reality is that the Sterling HH can get SO many tones that maybe you don't think it can at first. When I first saw this "other" bass I was like wow, thats a different tone, cool... but I had it the whole time
On the flip side, my Bongo & Sterling dont really cross paths, theres just something different about a lot of the tones.
I'm playing with the "other" bass for a good hour, using all the settings & I find its "best" tone... so I pick up the Sterling HH to see if I can mimic it
Solo the bridge, cut the lows, boost the mids, boost the treble.... super in your face, not a setting I would gravitate towards normally but it nailed the "other" bass dead on
So whats the point? I feel like picking up other basses just to have some more tonal options... but the reality is that the Sterling HH can get SO many tones that maybe you don't think it can at first. When I first saw this "other" bass I was like wow, thats a different tone, cool... but I had it the whole time
On the flip side, my Bongo & Sterling dont really cross paths, theres just something different about a lot of the tones.