JD003
Member
However I think it is now likely there is a great deal less money in pure songwriting than there was twenty years ago before the advent of web based downloads. This could affect the quality.
Not exactly sure what you mean by "pure" songwriting. I think I get it.
I haven't been networking or pitching for 15 years+. But as someone who came to Nashville to pursue song writing, I learned pretty quick the landscape had changed dramatically and quickly. Over and over I heard about the days when a relatively small publishing house might have 10 to 20 writers on salary. Some hit makers, some being developed. It was common for publishers to sign someone they saw something in even if they knew it might be a few years developing them and plugging them into the co-writing scene. Those same kinds of publishers now might only have 2 or 3 writers.
I think it affects the quality of music we hear, certainly the diversity. Every heart tells a slightly different story.
The big houses and record companies that sign writers are primarily looking for those that have artist potential. In this town they used to say, "you don't play guitar that good, cant sing much better, You're a writer!" More and more everyone is looking for a writer who could be a star. Keeping more of the royalty pie.
The last meeting I had with a publisher who's attention I had managed to get actually came to my house and listened to songs. In the end he said, "you're close but I don't hear a hit, and you not outwriting the 2 guys I got" I'll have to pass. Best of luck to you."
I had to let it go. I have real job now. Still write though because I still hear voices.