tunaman4u2
Well-known member
My Sterling HH ate the coverbands lunch yesterday... tone for days, WINNING !!!
Is that still in?
Is that still in?
My Sterling HH ate the coverbands lunch yesterday... tone for days, WINNING !!!
Is that still in?
sr5 and sterling 5 are different, the sterling being thinner and faster.
The Sterling 5 neck is indeed thinner than the Stingray 5 neck, but faster?
I find my SR5 ceramic (so the nearest equivalent is a Sterling 5H) to be incredibly versatile for this - or even a standard Ray H. Adding the HH config or HS will broaden flexibility, although I have to say just a 2 band Ray and variation of EQ between the amp and bass, and varying playing position would probably give me all I need.
These basses also have the advantage of looking fairly inocculous and 'safe' (dependent on the colour) - a shame that it is so, but some people think the Al (also in guitar form) looks a bit bizarre and whacky - and the Bongo also - so this could be a bit like turning up to your corporate/function gig in an orange suit perhaps? Just a thought (I love these bases as well but I doubt I'd get away with them in some corporate bands I know).
My opinion, ...for a very modern cover/corporate band bass choice should match a modern design too!
So, ...any EBMM bass sounds killer and You can't go wrong with choice in a that way, but consider Bongo, reflex, or Big Al, 'cause of non-classic design!
I think You should try all three (Bongo, reflex, Big Al) and decide which neck shape fits You the best, ...than consider pickup configurations to match Your set list, ...and that's it!
Good luck!
Since nobody recommended it, I would say the Big Al H can do that job just perfectly. According to BP, it bears the BEST pickup they have made so far. And it covers a lot of ground just with that one pickup and the active / passive and series / parallel switches.
Compared the the Sterlings I have played, my BA 5 has significantly more low end growl, which may have to do with the mahogany body. With the active EQ, you can go from very smooth and rich to very aggressive and hard sounds.
Having quite an arsenal of basses and some others alongside my EBMMs, I ended up using the BA 5 in passive mode for about everything from Stax to modern hardrock /metal tone to reggae or R'n'B.
And it liberates you from the pain of choice, because it only has one pickup.
So try a Sterling HS, but please also try the Big Al 5 H. I think it is highly underrated.
That said, I thing every MM bass will do it just fine. A friend of mine, member soul 24-7 uses his classic 5 in a Jamiroquai cover band and it does fine there.
I was hoping you could offer me some input on the Sterling 5 HS you used to have. Your video demo was what I previously used for a reference as it seemed to be the only extensive one in existence, but sadly no longer exists.
Simple pattern going through pickup selections with a Sterling HS.
Lisa's DD Sterling H:SC by oldtoe on SoundCloud - Create, record and share your sounds for free
Totally bad ass !
I love my HH but if a HS ever came up... I dunno man, thats awesome
I'd like to thank everyone for all the helpful comments. Prior to starting this thread, I really thought I was going to go for the Sterling 5 HS, but I decided that the Big Al 5 H will be my choice. It's plenty versatile and a lot more point and shoot so to speak, which is great since I have very little time to mess with tones between songs. However, I definitely do see a Sterling HS in my future as well.
Simple pattern going through pickup selections with a Sterling HS.
Lisa's DD Sterling H:SC by oldtoe on SoundCloud - Create, record and share your sounds for free