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hbucker

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Oct 11, 2002
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707
I'm currently looking at a Boss CS-3 and an MXR Dynacomp. I'm leaning towards the MXR.

Any thoughts on these? Others?

I'll put it in front of my Blues Driver to get more sustain with a slight break up overdrive.
 

blackspy

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Aug 28, 2002
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I've gone through the bunch of them over the last year.

The CS-3, I found to be noisy and seemed to leech treble from signal.
The MXR, I actually quite liked (Supercomp). I think the only difference is the attack control. Though it was very limited.

I ended up buying a Keeley based on word of mouth reviews and my like of the MXR. I found it to be a little to squishy sounding, more of blues/country sounds within it. Dead quiet though.

I'm finally settled with the Carl Martin. I love it. It's the best one I've tried. I'm using it as more of a limiter I guess... but it has everything I could want in compressor, and it's totally transparent and quiet.

I suspect the MXR would do nicely for what you're going for. The Keeley would be even better.
 

ripley

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Jan 25, 2005
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monster island
with as much money as I've pumped into keeley effects over the last 2 years, I hate to say that when I use a compressor, I really like the Aphex optical compressor.

you can comfortably make it very "squishy" or quite crisp.
 

fsmith

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Oct 30, 2003
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Halethorpe, MD
I've been a fan of the Barber Tone Press. There are two parallel signal paths, dry and wet combined at the output. I like the fact that you can control how much of your wet compressed signal gets added to the dry signal and vice versa. That gives you a lot of flexibility in creating the type of output you're looking for.

fred
 

CudBucket

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Aug 3, 2004
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1,400
I have a Marshall ED-1 but I'd be lying to you if I told you I know how to use it.

Dave
 

Chris K

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Feb 15, 2006
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Norway
I have a MXR super comp, it gives nice sustain without killing the dynamic sound too much. It's easy to use/adjust, but if I turn the action level too high it distorts the sound. If you want overcompressed shredding sound (to compensate for being sloppy ;)), this is not the pedal you want. I tried a Marshall ED-1 once, but I didn't like it, it had this annoying clicking sound everytime I picked a string. Maybe it was just this one pedal, but the difference in quality to the MXR was obvious.
 

LDM

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Jul 29, 2005
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I'll put my two cents in as well for the mighty Barber Tone Press.
In my set up, it's always on.
 

Golem

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Aug 30, 2005
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Have a few. The only one that really stands out is the Tech21 NYC "Bass Compactor". Sometimes I use a tube head [Bassman etc] with a converter [Gibson Power Stealth] on the speaker output that turns speaker current into a line out, which then feeds into a clean solid state amp to actually drive the cab. Now *that* is my ideal compressor, except for bulk, weight, and clutter. The Tech21 Bass Compactor comes extremely close to that effect.

BTW, if you have a primarily piezo ax, a good compressor will take it to nirvana.
 
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SteveB

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Sep 3, 2004
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Pittsburgh, PA
I've got a Boss CS-3 and I hate it so much that I've removed it from the signal path completely.

Pick any other compressor.
 

Thirdpole

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Aug 15, 2005
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165
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Quebec
LDM said:
I'll put my two cents in as well for the mighty Barber Tone Press.
In my set up, it's always on.

+1 for the Barber ! I use it on cleans with single coil guitars ! Can be transparent or apparent however you set it !


I hear the DOD milkbox is pretty nice for a very low price unit. Never tried it.
Heard good comments about the Maxon CP-101 also.
 
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chyde

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Apr 14, 2005
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62
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Tulsa, Oklahoma
I use a Maxxon compressor & love it. I leave it on all the time. Not so squashy sounding as other compressors & not expensive. Also true bypass if I'm thinking right.

Chris
 

caucajun

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Apr 4, 2005
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79
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cajun country, LA. usa
the mxr ain't bad......i hear alot of good thangs 'bout the analogman. but in front of a blues driver.?................never liked the blues driver.............y'oughtta just git a fulltone fulldrive 2 and be done withit.

you don't need a comp.........you need to git ridda that nasty ol' BD.
 

Jimi D

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Feb 27, 2003
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Ottawa ON
I use the MiC Marshall ED-1, and it's fine on my live pedal board - sounds really good, highly tweakable, really cheap... I only use it on three or four songs, so I'm not interested in investing in a boutique pedal for that, and this one meets all my requirements...
 

dannymusic

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Sep 8, 2005
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MINNESOTA
Since 1999 I purchased a TECH 21 COMPTORTION for a mere $50. That pedal is still with me and I still like it. It's similar to a VS route 66 pedal, but has a noise gate built in, which is very handy. I only own 2 pedals, that is one.
If you've never used a compressor, this is an inexpensive way to see if you like them. Has a distortion (tube screamerish) you can dial in also.
 

brsmith21

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Feb 23, 2006
Messages
133
Location
Columbia, SC
I have an Analogman orange squeezer clone first on my pedalboard and leave it on all the time and never tweek it. One knob. :cool:

I've also used the Barber, Carl Martin, Boss, Tech 21 and MXR. If I didn't have the Analogman, the Barber is my next favorite by a long shot. YMMV.
 
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