Music-Guru
Member
- Joined
- May 31, 2004
- Messages
- 18
Why the Wolfgang sucks...
Discuss.
Discuss.
lostrebel said:How do you know he still plays EBMM in the studio?
What can I say hbucker - it's a public forum...hbucker said:Jimi,
A while back you wrote on the following thread that you don't see bad blood on this board towards Wolfgangs.
{ ...snip... }
This thread is the attittude I was talking about. Ironically, it says more about the writers than it does about gear.
For what it's worth.
The neck on the new one is very different from last year's bolt-ons, apparently... And believe me, they weren't building to the same price point when they knocked this one together.PurpleSport said:I haven't tried the new abalone encrusted one - which looks great - but did try the basic MIK model recently and while it wasn't as nice feeling or sound as the earlier US models, it's still a pretty neat design even after all these years.
I would hazard that the Cort factory is probably responsible for the Peavey and ESP stuff (as well as the Korean Ibanez guitars)...
(Interesting side note about that abalone binding: it's very reminiscent of some of the Schecter stuff out now...I'd bet money the two are made in the same factory - although that's not saying much, since there's probably about a 1 in 3 chance that's the case anyway!Wonder how long it takes 'em to do an inlay like that over there, even with all those CNCs to do the basic cutting?)
I'm with you on the reasons behind Eddie's defection to Peavey - I don't believe he had any desire to substantially change the design of his guitar and did only what he had to to avoid infringing the EBMM copyrights and patents, and perhaps try to put a better public face on the whole mess...Had EVH gone the extra mile and designed something nifty like that guitar, I'm sure the Wolf wouldn't be as maligned as an being the obvious EBMM trademark-avoider it is....![]()
Ya, but it's still Gawd awful (imho, of course)OrangeChannel said:Per the Splatter strat, it's a MIM.
Jimi D said:What can I say hbucker - it's a public forum...![]()
Personally, I agree with you - whether or not I agree with some of the points made (eg: that the Wolf is pretty derivitive of the EVH/Axis) I feel that posts with a virulently negative tone like this one, that are intended to do nothing but bash another manufacturer, are essentially petty, small-minded, and rather embarrassing. I too think they say more about the author than the subject. As you know, I have a Wolf I like. I also have five Axes. I doubt our new "Troll" here has either. Lets face it, statements like "Ed plays EBMM in the studio" and that OLPs are "MUCH MUCH better than U.S. Wolfgangs" are so demonstrably laughable and blatantly stupid that they pretty much invalidate anything else he has to say. And the "My friend knows his tech" bull? This guy will want to sell us swamp land in a minute...![]()
FWIW, I'm currently considering the purchase of my SECOND Peavey guitar - not another Wolf but a new V-Type NTB in white. I saw it recently, picked it up just 'cause it's just so damned pretty with abalone binding around the body, neck and headstock and gold hardware, and found I couldn't put it down... It has a neck profile rather similar to the Axis, with an identical nut width but a 241/2" scale... It also has something I've been missing from time-to-time lately - a floating Floyd trem. The pickups were so-so, but overall, the build quality and playability really blew me away for the price. But - of course - it's made in Korea, of all the places, and it's not cheap for a Korean guitar... I don't know how long it's been since I owned a Korean guitar, but it's been a long, long time... Still, it's been four days since I played it and I can't get this guitar out of my head. I may have to buy it just to relieve the obsession.
BTW, I changed the public title slightly - I wanted to try just to see if I could, and what do you know, I can!![]()