phatduckk
Well-known member
thats a dope lil project! very clean work man!
The other benefit is the ability to unbolt the LMK-II (two screws) and slide it right out to use it with an alternate cabinet or stack.
I love the options!![]()
I like it, I like it a lot! Great work, you may be starting a trend here.
Is this just to make use of an old combo and upgrade it?
Is it just for a fun project?
Curious to know what the motivations are here. Markbass does make combos, and the amp inside the MB combos is identical to the Little Mark II.
Is this just to make use of an old combo and upgrade it?
Is it cause you feel that Markbass combos are too expensive?
Is it just for a fun project?
Or is there something you feel you are upgrading here?
Cheers,
Peter
2. tweeter was a bit "hissy" for my taste
Hi Peter, I wanted to reemphasize this as well. The tweeters on both combo's available in the US are hissy.
Hi Peter, I wanted to reemphasize this as well. The tweeters on both combo's available in the US are hissy. Of course at gig volumes, it probably not such a big deal, but at home for practice, it can be very annoying. Of course, you can always use the VLE to quiet the tweeter, but the VLE shouldn't be used in place of an attenuator or a quieter tweeter.
That said, I may still end up with the 2x10 combo, because the sound I want can allow for me to roll off the highs a little bit and make th tweeter liveable.
Yep - Or a LMK-II based combo with an "easy-out" option...
Me? I already gots mine!![]()
I have heard these points before.
But I maintain that it's better to have too much of something with the ability to cut it back than have the ability to boost something that isn't available.
I think in most live contexts the advantage of the high end by far outweigh any aspect of "hiss"... you hear the high end in the bass tone but the hiss disappears in context. Again, better to tame it when you need to instead of get rid of it altogether. Using the VLE and/or the high EQ control, and/or the tone controls on your bass, gives you lots of musical solutions.
Cheers,
Peter