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Stephen

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Great review, Ed, thanks!

When doing the finger style run you explained how you set up the EQs for that - did you leave it that way for the slap and pick style examples?

Cheers, Stephen
 

bovinehost

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Ben came by the house today and dropped off a Big Al. Sunburst finish, rosewood fingerboard....she's a beauty. Can't wait to plug it in.
 

EdFriedland

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Great review, Ed, thanks!

When doing the finger style run you explained how you set up the EQs for that - did you leave it that way for the slap and pick style examples?

Cheers, Stephen

I believe I mention any eq changes as I move from setting to setting.
 

Powman

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I love Ed's reviews...Interestingly, this review confirmed why I like my Sterling with just one humbucker...too many choices would drive me crazy...I can see some folks loving all these choices, but not for me...
 

Stephen

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I believe I mention any eq changes as I move from setting to setting.

Thanks, Ed!

*mumbles* How do I do this without coming across as the average YouTube halfwit? Well, gotta know anyway ...

I am trying to decide between a Bongo and a Big Al. I still haven't been able to find a dealer in my region that actually stocks a Big Al, I keep sucking up any material from the big Interwebs I happen to find (That dealer thing is still being sorted out).

Since your reviews are by far the best out there, I naturally jumped on this one as well. I do understand that you had to push it in editing to meet that 10 minute time limit, so I was wondering if some of the EQ changes just ended up on the floor of the editing room.

So I try to be more specific: when you start the finger style examples in active mode you give us the settings as "bass and low mids boosted, high mids boosted a tiny bit, treble flat" which makes perfect sense ("Fat!" ... "Superfat!") to my ears. Later, when starting the active pick style, it is "bass boosted and low mids boosted a tiny bit", which again works for me.

What I am missing here is the EQ for active slap style. Would that be the typical lows + highs boosted, mids cut or did you actually play that with the same settings as finger style?

I hope I'm not being too much of a PITA here ... blame it on the Tube's 10 mins limit, if so. ;)

Cheers, Stephen
 

EdFriedland

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No problem. For slap I typically boost lows and highs, but tend to leave the mids flat. IMO, cutting mids destroys the impact of the attack and gets too "Fieldy" for my taste. That said.... I may have monkeyed around with boosting the low mids on some of these settings, I can't remember. Sorry.

Choosing between a Big Al and a Bongo is like apples and oranges. They are very different beasts, even though they share what I believe is the same preamp.
 

oli@bass

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@Ed -- Talking of the EQ setings: May I ask why you don't leave the EQ always flat for all reviews? I'd have thought that reviewing a bass with the same settings for all samples would give a more neutral overview and a better comparision between different models or makes. Probably there's a bit of wisdom I'm overlooking. Thanks.
 
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