bovinehost
Administrator
Location: LBJ Freeway
Time: mid-afternoon
Day of Week: Saturday
Final Thought Before Entering: "GC on a Saturday? I'm insane."
I wander in and find the bass area. Surprise! A supremely untalented skater teen is using his fist or something to beat the strings of some pointy headed abomination. I believe his fretting hand was also formed into a fist. Okay, so he was new to bass.
I scan the hooks. Fender, Fender, Ibanez, a few OLPs, some Ibanez. Wait, where are all the EBMMs? I see one lone SUB. I don't want to play a SUB! Well, I'm already there, so I try out an Ibanez Artcore hollowbody something or another which looks like this and is on clearance for 3 bills. Not bad. Nice looking pickup, heh heh. If I wanted a cheap hollowbody, I'd buy this. Needs flats, for sure. Skate-Wank gives up and lets me plug it in. Cool. No competition for the Bongo, but something different.
I wander out of the bass area and set up two Korg synths so that they're more or less fighting with each other. Jeremy is fiddling with the keys, but respectfully, because he already knows how I feel about banging on stuff. Suddenly, without warning, just like in one of those Jacques Coustea films, Paul (smallequestrian) appears. I complain about the lack of EBMM basses. He shows me to a 'secret room' where the 'good stuff' is kept.
Who knew? This is a very, very good idea. It's quiet in there, except for another wanker who gives up soon after we enter.
Smart guy. I grab the SR4 HH because it's closest and the setup is not quite right, a little clanky, but it's workable. After the Lone Wanker gives up the amp, I plug it in, much better but still weird. It sounds....off. I say to Paul, "Remind me to never buy one of these cabinets."
Then I notice the amp. Aiiyyyy, holy crap. NO MIDS. NONE. Ugly damned smiley face scoop on the EQ. Trable maxed. Bass DIMED. All kinds of wanky buttons are depressed.
Once I get that all flat, the bass sounds wonderful and the clanky setup on the G string is not so bad. (I would have fixed it, but no tools and it ain't my bass.) Paul hands me the 'burst SR5 HH and now I'm stoked.
Dang, boys. Them's good basses.
That is all.
Jack
Time: mid-afternoon
Day of Week: Saturday
Final Thought Before Entering: "GC on a Saturday? I'm insane."
I wander in and find the bass area. Surprise! A supremely untalented skater teen is using his fist or something to beat the strings of some pointy headed abomination. I believe his fretting hand was also formed into a fist. Okay, so he was new to bass.
I scan the hooks. Fender, Fender, Ibanez, a few OLPs, some Ibanez. Wait, where are all the EBMMs? I see one lone SUB. I don't want to play a SUB! Well, I'm already there, so I try out an Ibanez Artcore hollowbody something or another which looks like this and is on clearance for 3 bills. Not bad. Nice looking pickup, heh heh. If I wanted a cheap hollowbody, I'd buy this. Needs flats, for sure. Skate-Wank gives up and lets me plug it in. Cool. No competition for the Bongo, but something different.
I wander out of the bass area and set up two Korg synths so that they're more or less fighting with each other. Jeremy is fiddling with the keys, but respectfully, because he already knows how I feel about banging on stuff. Suddenly, without warning, just like in one of those Jacques Coustea films, Paul (smallequestrian) appears. I complain about the lack of EBMM basses. He shows me to a 'secret room' where the 'good stuff' is kept.
Who knew? This is a very, very good idea. It's quiet in there, except for another wanker who gives up soon after we enter.
Smart guy. I grab the SR4 HH because it's closest and the setup is not quite right, a little clanky, but it's workable. After the Lone Wanker gives up the amp, I plug it in, much better but still weird. It sounds....off. I say to Paul, "Remind me to never buy one of these cabinets."
Then I notice the amp. Aiiyyyy, holy crap. NO MIDS. NONE. Ugly damned smiley face scoop on the EQ. Trable maxed. Bass DIMED. All kinds of wanky buttons are depressed.
Once I get that all flat, the bass sounds wonderful and the clanky setup on the G string is not so bad. (I would have fixed it, but no tools and it ain't my bass.) Paul hands me the 'burst SR5 HH and now I'm stoked.
Dang, boys. Them's good basses.
That is all.
Jack