PeteDuBaldo
Well-known member
Pete hasn't emailed me yet dang it. I think you will be okay. Hang in there.
tk
TK, I called and left a message & shot you an email last week - I'm expecting yours to arrive this week, also.
Pete hasn't emailed me yet dang it. I think you will be okay. Hang in there.
tk
so being a big Musicman fan for almost 9 years, i can't wait to get a hold on a fretted Bongo-6!!!
just waiting for the piezo option on a fretless Bongo-6.....
Has there been any information on when or if they will make a Bongo6 with piezo's? I've been searching for weeks and can't find any definitive answer, only that it can't be done on the sealth model for some reason or another.
I myself am furiously GAS'ing at the idea of a Fretless Bongo6 HHP.
Has there been any information on when or if they will make a Bongo6 with piezo's? I've been searching for weeks and can't find any definitive answer, only that it can't be done on the sealth model for some reason or another.
I myself am furiously GAS'ing at the idea of a Fretless Bongo6 HHP.
yet another thing on fretless musicman's: why on earth aren't they available with an ebony fretboard??
okay, ebony is more expensive, but so what? just have EB add the extra charge or something, rather an more expensive bass with a good fretless tone than no extra charge and a fretless tone that is quite nice but not stunning (??)
I was all set to order but concerns about the string spacing and getting 50% more bass stopped me. I don't want to make a $$$ mistake. For now, I'm furiously working on my 6er chops on an Ibanez I picked up for cheep. The plan is to work up to the Big Bongo.
I don't know that ebony is necessarily more expensive than pau ferro, and why on earth would you want ebony anyway? Play a Bongo fretless and see how pau ferro feels![]()
If you suggest one more time that my fretless Bongo with a pao ferro fretboad sounds flat and boring, I'm afraid I'll have to ask you to step outside.
No offense--but, I trust Dudley, Sterling, Dargin, etc, etc more about what constitutes a good tone than your demanding that it's "ebony or crap" when it comes to good tone. Maybe you should consider that before you discount what they've obviously thought made a good fretboard for a fretless instrument.
You obviously have a lot of deeply ingrained misconceptions about what constitutes a "necessity." Good luck with that.
let's put things another way: i may persume that most Musicman bass players are formiliar with the fretless sound from Pino Palladino (?)
this amazing sound comes from a fretless Stingray, but this particular Stingray doesn't has a pao ferro fretboard but a ebony fretboard, so my personal opinion is based on the knowledge that Palladino's fretless Stingray sounds much better (and even more like a real fretless to me) than all the "modern" fretless Musicman basses
keeping this in mind: i am looking for that same Palladino sound, but than in a 6-string version, so in that case the Bongo-6 should come closest to what i'm looking for, but only when it has the same fretboard as Palladino's
an offcourse i can understand that there are plenty people out there that love the sound of pao ferro, but there might also be a slight chance that those same people don't have any experience with the playability and sound of an ebony board???
...and ofcourse not to forget: there always will be this thing called difference in personal taste
for me it's just frustrating to know what i'm looking but not being able to find or create it
let's put things another way: i may persume that most Musicman bass players are formiliar with the fretless sound from Pino Palladino (?)
this amazing sound comes from a fretless Stingray, but this particular Stingray doesn't has a pao ferro fretboard but a ebony fretboard, so my personal opinion is based on the knowledge that Palladino's fretless Stingray sounds much better (and even more like a real fretless to me) than all the "modern" fretless Musicman basses
keeping this in mind: i am looking for that same Palladino sound, but than in a 6-string version, so in that case the Bongo-6 should come closest to what i'm looking for, but only when it has the same fretboard as Palladino's
an offcourse i can understand that there are plenty people out there that love the sound of pao ferro, but there might also be a slight chance that those same people don't have any experience with the playability and sound of an ebony board???
...and ofcourse not to forget: there always will be this thing called difference in personal taste
for me it's just frustrating to know what i'm looking but not being able to find or create it