Eggman
Well-known member
Buy a Bongo 6 fretless and if you don't like the sound have a luthier put an ebony board on it.
So many variables that you aren't taking into consideration...besides the fretboard. Give Pino an EBMM with a Pau Ferro fretboard and you probably wouldn't be able to tell the difference.
Yeah, no offense, but I think Pino's hands probably have a lot more to do with his sound than the fretboard wood. There's also the small matter of strings, amps, and whatever else was in the signal chain on the recordings you love. Focusing on ebony vs. pao ferro is like missing the forest by focusing on one particular tree. That said, if you want a fretless with an ebony board, there are plenty of manufacturers who will gladly make you one. If you love the Stingray body and electronics, you can buy a fretless neck with an ebony board from another manufacturer and switch it out.
EB has decided that they prefer pao ferro for their fretless boards, and most fretless players here seem fine with that. If you want something else, vote with your wallet.
Buy a Bongo 6 fretless and if you don't like the sound have a luthier put an ebony board on it.
and when you give Pino a Pau ferro fretless there certainly would be a difference; in tone character to be exactly
the same way an ash body gives a different tone character than an alder body, no matter who's playing it
I doubt that you could tell the difference...especially in a live situation. Same player + the only variable being the neck wood = not enough of a difference to make a difference...especially since it's just a top on a maple neck.
The same could be said about two different pieces of ash. IMO, body wood makes a much bigger difference than a fretboard could ever make.
but i'm getting a little tired and irritated from needing to specify my opion on fretless fretboards over and over again