Big Poppa
Well-known member
Dont get me started on sub woofers and the terrorists that think that has helped live mixes
Dont get me started on sub woofers and the terrorists that think that has helped live mixes
Halle-freakin'-leujah.
Amen, Pops.
Cooking along quite nicely with no driver larger than 5.5 inches, thanks.
i have never understood the concept of, "lets add ALL the effects that are CRUCIAL to the sum total of this song having ANY vibe whatsoever, way , way, way, AFTER we have recorded the song and everyone has gone home".hmmmmm... " hey .... i know... how bout we add them right HERE and NOW, so i dont have to hate you, and myself, when i hear it all screwed up on the radio 6 months from now!!" "deal???" i also dont understand ANY PART of not having an actual amp onstage, using in ear monitors instead of wedges, or turning down so low, that there is NO VIBE to the music whatsoever so the "live sound engineer" can have "complete control" over the mix...hhhmmm.... how about, "NO!!! " you are a "live sound" engineer... i dont want you having ANY control over our mix. if you actually knew what the he!! you were doing, you would be a "studio engineer", not to mention, you are really just the bands first drummer that we couldnt bring ourselves to TOTALLY fire. giving you total control of the mix, would be like taking my tax forms to the County Fair every year so the "Carnies" could work out my Schedule C and Deductions...... NO THANKS!!! by the way.... "Hows the bass sound out there???"
i have never understood the concept of, "lets add ALL the effects that are CRUCIAL to the sum total of this song having ANY vibe whatsoever, way , way, way, AFTER we have recorded the song and everyone has gone home"
YEAH with a dirty word in front of it to what Craig said.
Plus Craig is doing my taxes this year.
i have re-fallen in love with the 15" driver, thanks to markbass, i now have the sound that i grew up on and love, the classic 15" jbld140, but brought up to date. my markbass 15" cabs have all the lows and hump of the classic 15" jbls, but also have all the fast attack mids punch of the 10's we've all been stuck with for the last 20 years as pretty much the ONLY option. lets see we have a 4x10 cab option, or.... a 4x10 cab option, from every single manufacturer. marco is a genius. i have no idea how he improved upon a classic sound and simultaneously cut the weight of the cabs by way over half. my single 15 cab is like styrofoam, but takes a serious beating and doesnt rattle at all, even under a microscope. it goes everywhere with me, stage and studio. markbass and musicman... like peanut butter and jelly.. huh bp??? (i want that to be my marketing slogan, unless youve already given it to someone else) the live sound guys applaud me when they see my rig coming thru the door, cause clearly he is sensible and going to be "controllable". then we soundcheck, and attitudes change. they have never screamed that it didnt sound good though, only that there is too much. one even offered to do my taxes.
I'm still trying to get my head round this but are when we talk about getting more tones for the game changer do we mean something like have a chorus effect, like a built in effects processor, on the bass/guitar or having different pickup sounds regardless of what pickups the instrument has?
Hi everyone. I'm new to the forum. I've been reading this forum because I've been searching for gear info on my favorite bass player Craig Young. I just wanted to ask exactly which Markbass cab and amp you use, if you would like to share that? Thanks!