• Ernie Ball
  • MusicMan
  • Sterling by MusicMan

azazael

Well-known member
Joined
Jun 2, 2007
Messages
1,613
Location
Scotland
Is the musicman nut anything like the earvana?

Can they be purchased?

How do they work further up the neck?
 

the24thfret

Well-known member
Joined
Jan 4, 2007
Messages
2,458
Theyre not available for purchase... only on new instruments.

edit: I'll add that I think the compensated nut sounds fantastic all over the neck.
 
Last edited:

Colin

Well-known member
Joined
Jan 23, 2005
Messages
10,649
Location
Brisbane Queensland
What happens when the nut wears, can we send it back to BP and Co for a replacement?
You can get a replacement if your guitar had one on originally. The compensated nut is not retrofitable on early models. The earvana is a copy of the MM comp nut do a search here and you'll see the story.
 

kimonostereo

Well-known member
Joined
Jul 26, 2009
Messages
1,197
Location
Honolulu, HI
I believe BP and company won partial summary judgement back in July 2009. Will be interesting to see what happens next.
 

azazael

Well-known member
Joined
Jun 2, 2007
Messages
1,613
Location
Scotland
Couldnt give a monkeys about BFR mate and I resent that implication.


I'm just getting pissed off with sacrifices of playing guitar.

Having to tune on the fly to adjust certain strings to compensate for open chords or barre chords etc etc... it just puts me right off playing the damn things.
 

Smellybum

Well-known member
Joined
Dec 11, 2004
Messages
3,411
Location
Evanton, United Kingdom
Couldnt give a monkeys about BFR mate and I resent that implication.


I'm just getting pissed off with sacrifices of playing guitar.

Having to tune on the fly to adjust certain strings to compensate for open chords or barre chords etc etc... it just puts me right off playing the damn things.

Calm down Calm down, it's only a post....

your earlier comment of it sucking that they don't sell comp nuts as a retro fit seemed a bit harsh, remember opinions are like but holes! -everybody has one...

peace.
 

Ricman

Well-known member
Joined
Feb 20, 2007
Messages
859
Location
Devon, England
It's all to do with equally tempered scale. JS Bach invented it - before then there were slightly different notes for every scale or mode - he brought them all together in one scale, but it is essentially a compromise.
G sharp is actually a different note to A flat, but on a guitar it's the same. A fretless instrument is okay, but when you have frets, you are always taking a middle line and having to live with that compromise. It's the same on piano.
Stuff I've seen on the internet says that some guitarists in the studio tune their guitars just for the particular phrase....
The comp nut I think is great...but it's always fighting against Johan Sebastian.
 

Abraxas

Well-known member
Joined
May 26, 2006
Messages
50
I notice the tuning thing when recording, hardly ever notice when playing live

I agree on that. Also, like the BF system, the difference is quite evident if you mix acoustic instuments and/or keyboards also. Always on recording.
 

balance

Well-known member
Joined
Oct 17, 2008
Messages
503
Location
Dallas
Here is the procedure for tuning I use from the American Luthiers Guild. It helps across the board with all of my guitars. Once you get the procedure down, it is a really fast and accurate method.

Let me say also that with the compensated nut on my 25th, this method is as close to perfect as I have heard.

Stagepass.com - How To Tune The Guitar to perfection
 

Spudmurphy

Well-known member
Joined
Aug 23, 2005
Messages
12,037
Location
Cardiff, United Kingdom
I have an earvana compensated nut fitted to my Mahogany bodied tele (well it's my son's guitar now). It's the same kind of principle but is more "agriculteral looking". Mine has a base plate with a separate top plate incorporating the comp saddles. They are a good company to deal with and offer good customer support.
 

HCB

Well-known member
Joined
Jun 22, 2009
Messages
144
It's all to do with equally tempered scale. JS Bach invented it - before then there were slightly different notes for every scale or mode - he brought them all together in one scale, but it is essentially a compromise.
G sharp is actually a different note to A flat, but on a guitar it's the same. A fretless instrument is okay, but when you have frets, you are always taking a middle line and having to live with that compromise. It's the same on piano.
Stuff I've seen on the internet says that some guitarists in the studio tune their guitars just for the particular phrase....
The comp nut I think is great...but it's always fighting against Johan Sebastian.

You mean like this?

Fuze3.jpg
 
Top Bottom